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Exploring the intersection of photography and filmmaking, this illustrated account delves into Hollis Frampton's groundbreaking 1971 short film, (nostalgia). The film challenges traditional narrative structures by juxtaposing images and stories in a way that complicates understanding. As Frampton burns photographs from his past, the narration creates a disorienting experience, emphasizing the ephemeral nature of memory and art. This study aims to elevate Frampton's work within modern art theory, highlighting its significance in the evolution of artist filmmaking and film theory.
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Hollis Frampton: (Nostalgia), Jean Innes
- Lingua
- Pubblicato
- 2006
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