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Exploring intertextuality in Djuna Barnes's work, Daniela Caselli delves into the intersections of biography, feminist criticism, and modernist canon formation. She examines how the repetition of texts—both by Barnes and other authors—challenges traditional notions of authority and gender within modernism. By raising critical questions about identity and the influence of various texts, Caselli invites readers to reconsider the complexities of Barnes's literary contributions and their implications for feminist discourse.
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Improper Modernism, Daniela Caselli
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- 2016
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