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The book introduces a groundbreaking theory that connects geometry with memory storage, positing that artworks serve as maximal memory stores. It explores how Leyton's laws of memory storage shape the compositional structure of paintings and influence their emotional expression. Through detailed analyses of renowned artists like Picasso and Cezanne, the text illustrates how these laws enable a systematic mapping of both the visual and emotional elements within art, offering a unique perspective on the intersection of geometry and artistic expression.
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The Structure of Paintings, Michael Leyton
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- Pubblicato
- 2006
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