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Focusing on the often-overlooked diversity of stage music in nineteenth-century Paris, this collection re-evaluates the city's role as both an importer and exporter of opera, particularly from its Italian-speaking neighbors. It comprises twelve updated and translated articles and essays that aim to broaden the understanding of Parisian stage music beyond the Paris Opéra, highlighting the rich variety of works that contributed to the era's musical landscape. This scholarly volume is essential for anyone interested in the historical context and evolution of opera.
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Opera in Paris from the Empire to the Commune, Mark Everist
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- 2018
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