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Exploring the emotional connections viewers form with animated characters, this thesis examines the motivations behind these responses despite the artificial nature of animation. It highlights the paradox of engaging with animated figures similarly to live actors, particularly in stop-motion, which challenges perceptions of realism. The paper discusses how, even amid technological advancements, the distinctiveness of this self-aware and sometimes rough animation style continues to resonate within contemporary cinematic culture.
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The Illusion of Life. Character Integrity and Performance in the Animated Form, Rose Walker
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- Pubblicato
- 2020
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