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Focusing on the often-overlooked contributions of Algeria, Tunisia, and Morocco, this book explores the role of modern drama in the Arab world and its significance in post-colonial expression. It highlights the need for greater recognition of these nations within the broader context of international theatre studies, which have primarily emphasized contributions from Asia, Africa, and Latin America. By addressing this gap, the book aims to shed light on the rich cultural narratives and artistic expressions emerging from these regions.
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The Theatres of Morocco, Algeria and Tunisia, Khalid Amine, Marvin Carlson
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- 2011
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