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Exploring the intricate representations of desire in British cinema, this book delves into male-female dynamics within both realist films and anti-realist movements, such as Gainsborough Melodrama. It highlights how societal changes influenced postwar utopian dreams, which were ultimately constrained by conservative ideologies. By providing fresh insights into well-known film movements like Ealing Comedy and analyzing overlooked films, it enriches the understanding of cinema's role in reflecting and shaping desires during a transformative era.
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Structures of Desire: British Cinema, 1939-1955, Tony Williams
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- Pubblicato
- 2000
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