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The exploration of post-war Italian cinema reveals its deep connections to world literature, particularly from France, Germany, and Russia. Carlo Testa argues that understanding this cinematic era requires examining the literary influences that shaped its development, moving beyond the traditional narrative from neorealism to Bertolucci. This analysis highlights the importance of literary texts in comprehending the techniques and themes present in Italian films of the period, offering a fresh perspective on their cultural significance.
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Italian Cinema and Modern European Literatures, Carlo Testa
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- 2000
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