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'Jim Marshall's photographs do not merely capture a momentous era in our collective history: they demonstrate what needs to be done, and what can be done, to ensure freedom for ourselves and those who follow us. As the sticker on the guitar case says: 'Peace is the only shelter.'' - Peter Doggett. Jim Marshall's unseen 'peace' photographs, collated and published here for the first time, are a timely document for our world today. Almost 60 years after the creation of the CND peace symbol, this body of work is a beautiful and thoughtful reflection from one of the most celebrated photographers of the twentieth century. It is introduced with a foreword by renowned street artist and graphic designer Shepard Fairey and text by Peter Doggett. Folk singer Joan Baez provides the book's afterword. Marshall saw himself as an anthropologist and a journalist, visually recording the changing times and explosion of creativity and celebrity in the 1960s. He loved street photography, and in between o

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Peace, Jim Marshall, Amelia Davis, Tony Nourmand, Shepard Fairey, Joan Baez

Lingua
Pubblicato
2017
Rilegatura
(Copertina rigida)
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Titolo
Peace
Lingua
Inglese
Pubblicato
2017
Formato
Copertina rigida
Pagine
128
ISBN10
1909526487
ISBN13
9781909526488
Serie
Valutazione
4 su 5
Descrizione
'Jim Marshall's photographs do not merely capture a momentous era in our collective history: they demonstrate what needs to be done, and what can be done, to ensure freedom for ourselves and those who follow us. As the sticker on the guitar case says: 'Peace is the only shelter.'' - Peter Doggett. Jim Marshall's unseen 'peace' photographs, collated and published here for the first time, are a timely document for our world today. Almost 60 years after the creation of the CND peace symbol, this body of work is a beautiful and thoughtful reflection from one of the most celebrated photographers of the twentieth century. It is introduced with a foreword by renowned street artist and graphic designer Shepard Fairey and text by Peter Doggett. Folk singer Joan Baez provides the book's afterword. Marshall saw himself as an anthropologist and a journalist, visually recording the changing times and explosion of creativity and celebrity in the 1960s. He loved street photography, and in between o