Questa serie si addentra nelle oscure profondità della letteratura e del cinema gotico, esplorandone l'evoluzione e l'impatto sulle storie culturali e intellettuali. Ogni volume offre nuove prospettive su come temi chiave come genere, religione e nazione abbiano plasmato la nostra comprensione della tradizione gotica. È una lettura essenziale per chiunque sia affascinato dal macabro e dal suo riflesso nell'arte e nella narrazione.
This book explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race.
This volume investigates the roles played by the concept of the uncanny, as defined by Sigmund Freud and other theorists, in the representation of lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007.
This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth- century interpretations of Shakespeare..
Defines the American Gothic and places it both within the context of the major movements of intellectual history and also within the context of the main issues of American culture.
Defining the American gothic tradition both within the context of the major movements of intellectual history over the past three-hundred years, as well as within the issues critical to American culture, this comprehensive volume covers a diverse terrain of well-known American writers, from Poe to Faulkner to Toni Morrison and Cormac McCarthy. Charles L. Crow demonstrates how the gothic provides a forum for discussing key issues of changing American culture, explores forbidden subjects, and provides a voice for the repressed and silenced.
This book covers Gothic writing and film from Henry James to Sarah Waters. Among its primary themes are the role of the ghost in relation to childhood and cultural mourning, the relationship between Gothic Architecture and the 'landscapes' of dream and nightmare and the interface between Gothic and Horror modes of writing.
Gothic Remains: Corpses, Terror and Anatomical Culture, 1764-1897 traces anatomical culture in Gothic texts from Horace Walpole to Bram Stoker, showing how the Gothic developed and evolved alongside the medical profession, and proposing a genealogy of some of the Gothic texts that marked the eighteenth and nineteenth centuries.
Royce Mahawatte critically compares the frightening, startling and melodramatic moments in George Eliot's fiction with excerpts from Gothic and sensation novels and in doing so argues that suspenseful plotting, and Gothic figures and tropes, play a role within Eliot's ambitions for the Victorian novel.
This book explores the evolution of the werewolf's new identities in contemporary culture, and some of the most interesting developments that have resulted from the werewolf's new mode of being.