David Foster Wallace Libri

In un futuro non troppo remoto e che somiglia in modo preoccupante al nostro presente, la merce, l'intrattenimento e la pubblicità hanno ormai occupato anche gli interstizi della vita quotidiana. Le droghe sono diffuse ovunque, come una panacea alla noia e alla disperazione. Finché sulla scena irrompe un misterioso film, Infinite Jest, così appassionante e ipnotico da cancellare in un istante ogni desiderio se non quello di guardarne le immagini all'infinito, fino alla morte. Nella caccia che si scatena attorno a questa che è la droga perfetta finiscono coinvolti i residenti di una casa di recupero per tossicodipendenti e gli studenti di un'Accademia del Tennis; e ancora imbroglioni, travestiti, artisti falliti, giocatori di football professionistico, medici, bibliofili, studiosi di cinema, cospiratori.

I sei racconti di Questa è l'acqua, scritti tra il 1984 e il 2005, offrono uno sguardo di insieme sulla straordinaria avventura artistica di Wallace, e una summa delle sue tematiche e dei diversi stili con cui le ha affrontate ed esaltate. La depressione, vivisezionata nelle sue spietate dinamiche nel doloroso e commovente Il pianeta Trillafon in relazione alla Cosa Brutta; la ricerca di una nuova maturità ed equilibrio nel discorso tenuto davanti agli studenti del Kenyon College, che dà il titolo alla raccolta; il sentimento amoroso in tutte le sue possibili declinazioni, tra goffaggine, tenerezza, crudeltà, nelle due novelle Solomon Silverfish e Ordine e fluttuazione a Northampton; l'adolescenza come stagione della vita in cui ricerca d'identità e perversione finiscono per coesistere, in Altra matematica; le nuove complessità del mondo globale e il crollo di ogni logica binaria, nel piccolo gioiello Crollo del '69. Il volume - in prima edizione mondiale per Einaudi - è corredato da una nota di Don DeLillo su quello che è considerato tra i più importanti scrittori americani dell'ultima generazione, e da una postfazione del curatore Luca Briasco

“Il vostro autore è un tizio con un interesse amatoriale di livello medio-alto per la matematica e i sistemi formali. Ha sempre detestato (con gli scarsi risultati che ne conseguono) qualsiasi corso di matematica seguito nel corso della sua vita, con una sola eccezione, peraltro estranea al suo curriculum universitario: un corso tenuto da uno di quei rari specialisti che sanno dare vita e necessità ai concetti astratti, che quando tengono una lezione parlano veramente con te e di cui tutto quanto vi è di buono in questo libro e una pallida e benintenzionata imitazione”. Autore di culto in tutto il mondo, romanziere tra i più esplosivi in circolazione, David Foster Wallace torna a confrontarsi con l’infinito dopo l’impresa titanica di Infinite Jest. Smesse le vesti dello scrittore di fiction Wallace si prende la responsabilità di indossare i panni del matematico determinato a regolare i suoi conti con il concetto del quale non si può pensare niente di più grande. Il risultato è un reportage senza esclusione di colpi nel mondo astratto dei numeri, tra formule spaccacervello e grafici astrusi. Arrivare alla meta, come sempre nel caso di Wallace, è impresa che ripaga di ogni sforzo trascorso. E il genio e l’ironia con cui attraversa lo spazio ricurvo della lettura riconcilia con l’ostinazione opaca dei numeri, nonostante il professore alla lavagna sia uno che fa le cose molto sul serio.

Only once did David Foster Wallace give a public talk on his views on life, during a commencement address given in 2005 at Kenyon College. The speech is reprinted for the first time in book form in THIS IS WATER. How does one keep from going through their comfortable, prosperous adult life unconsciously? How do we get ourselves out of the foreground of our thoughts and achieve compassion? The speech captures Wallace's electric intellect as well as his grace in attention to others. After his death, it became a treasured piece of writing reprinted in The Wall Street Journal and the London Times, commented on endlessly in blogs, and emailed from friend to friend. Writing with his one-of-a-kind blend of causal humor, exacting intellect, and practical philosophy, David Foster Wallace probes the challenges of daily living and offers advice that renews us with every reading.

Set against the backdrop of the Black Death in 1348, ten young Florentines escape to the countryside, where they engage in storytelling as a means of coping with their circumstances. The narrative unfolds through one hundred novelle that tackle diverse themes, including domestic struggles and the political dynamics between Christians and Arabs. David Wallace provides insights into the text's connection to Boccaccio's proto-capitalist Florence, while also addressing gender issues and the influence of the Decameron on later literature, notably Chaucer and the novel.

David Foster Wallace wrote the novels The Pale King, Infinite Jest, and The Broom of the System and three story collections. His nonfiction includes Consider the Lobster and A Supposedly Fun Thing I'll Never Do Again. He died in 2008. This is a selection of David Foster Wallace's work.

"Wallace's explorations of morality, self-consciousness, addiction, sports, love, and the many other subjects that occupied him are represented here in both fiction and nonfiction. Collected for the first time are Wallace's first published story, "The View from Planet Trillaphon as Seen In Relation to the Bad Thing" and a selection of his work as a writing instructor, including reading lists, grammar guides, and general guidelines for his students. A dozen writers and critics, including Hari Kunzru, Anne Fadiman, and Nam Le, add afterwords to favorite pieces."--Publisher's description.

In this exuberantly praised book - a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner - David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest .

In David Lipsky's view, David Foster Wallace was the best young writer in America. Wallace's pieces for Harper's magazine in the 90s were, according to Lipsky, like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.§§Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader's escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an orgy of spectation). They fly back to Illinois, drive home, walk Wallace's dogs. Amid these everyday events, Wallace tells Lipsky remarkable things everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him that grateful, awake feeling the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church.

Do lobsters feel pain? Did Franz Kafka have a sick sense of humour? What is John Updike's deal anyway? And who won the Adult Video News' Female Performer of the Year Award the same year Gwyneth Paltrow won her Oscar? David Foster Wallace answers these questions and more in his new book of hilarious non-fiction. For this collection, David Foster Wallace immerses himself in the three-ring circus that is the presidential race in order to document one of the most vicious campaigns in recent history. Later he strolls from booth to booth at a lobster festival in Maine and risks life and limb to get to the bottom of the lobster question. Then he wheedles his way into an L.A. radio studio, armed with tubs of chicken, to get the behind-the-scenes view of a conservative talkshow featuring a host with an unnatural penchant for clothing that only looks good on the radio. In what is sure to be a much-talked-about exploration of distinctly modern subjects, one of the sharpest minds of our time delves into some of life's most delicious topics.