Filosofo, teorico politico e sociologo tedesco-ebreo, fu un membro di spicco della Scuola di Francoforte. Celebrato come il "Padre della Nuova Sinistra", i suoi contributi intellettuali hanno plasmato profondamente i movimenti studenteschi e il pensiero critico degli anni '60. Il suo lavoro approfondisce la complessa interazione tra repressione e liberazione nella società moderna, esaminando criticamente come il progresso tecnologico e l'industrializzazione possano paradossalmente favorire nuove forme di sottomissione. Ispira i lettori a confrontarsi con idee stimolanti sulla libertà e sulla condizione umana.
Nella prima parte il volume è una dettagliata esposizione della filosofia hegeliana, che mira a mettere in luce quegli aspetti delle idee di Hegel che lo avvicinano a posteriori sviluppi del pensiero europeo, e in particolare alla teoria di Marx. La seconda segue le due linee antagoniste della filosofia "negativa" e "positiva", successive a Hegel. L'una, che rappresenta lo sviluppo del principio dialettico hegeliano, si incarna in Marx, l'altra nella sociologia francese e tedesca.
Collected Papers of Herbert Marcuse, Volume 5
The book features a collection of Marcuse's significant writings, showcasing his distinctive blend of philosophy, psychoanalysis, and critical social theory. It offers a comprehensive introduction by Douglas Kellner, Tyson Lewis, and Clayton Pierce, which contextualizes Marcuse's thought within the major philosophical movements of the twentieth century, highlighting his intellectual contributions and relevance.
Exploring the critique of capitalist modernity, this collection of essays by Herbert Marcuse delves into foundational concepts like liberalism and individualism, challenging their relevance in contemporary society. Written between the 1930s and 1960s, the work showcases Marcuse's materialist dialectical thinking and offers a profound analysis of the conditions shaping thought and action. It serves as an essential resource for emerging scholars and a compelling reminder for those familiar with critical theory, emphasizing the need for a rigorous critique of modern organized life.
Volume III of Herbert Marcuse's Collected Papers focusing on the New Left movement for whom he provided theoretical and political guidance. The new material collected in this and accompanying volumes provides a rich and deep grasp of the era.
Collected Papers of Herbert Marcuse, Volume 6
The collection features key works by Marcuse, showcasing his responses to traditional Marxist theories on revolution and utopia. It includes a thorough introduction that contextualizes his ideas within the broader landscape of twentieth-century philosophy, highlighting his engagement with significant philosophical movements. This compilation offers insight into Marcuse's unique contributions and critical perspectives on established Marxist thought.
Collected Papers of Herbert Marcuse, Volume 2
This collection features unpublished manuscripts and letters from the late 1960s and early 1970s, highlighting Marcuse's critical theory of contemporary society. The work is enriched by an introduction from Douglas Kellner and an afterword by Jürgen Habermas, providing valuable insights into Marcuse's ideas and their relevance. The compilation offers a deep exploration of social critique during a transformative period in history.
The book explores the influence of Marcuse on the New Left, highlighting his significance as a theoretical and political guide for a younger generation of activists. It offers new material that deepens the understanding of the era, illustrating Marcuse's role in the key political and theoretical developments of the time. Through this examination, readers gain insight into the complexities of his thought and its impact on the movements of the day.
One of the most important texts of modern times, Herbert Marcuse's analysis and image of a one-dimensional man in a one-dimensional society has shaped many young radicals' way of seeing and experiencing life. Published in 1964, it fast became an ideological bible for the emergent New Left. As Douglas Kellner notes in his introduction, Marcuse's greatest work was a 'damning indictment of contemporary Western societies, capitalist and communist.' Yet it also expressed the hopes of a radical philosopher that human freedom and happiness could be greatly expanded beyond the regimented thought and behaviour prevalent in established society. For those who held the reigns of power Marcuse's call to arms threatened civilization to its very core. For many others however, it represented a freedom hitherto unimaginable.
Developing a concept briefly introduced in Counterrevolution and Revolt , Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.