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Alberto Giacometti

    10 ottobre 1901 – 12 gennaio 1966
    Picasso - Giacometti.
    Notes on the Copies
    Alberto Giacometti: Works, Writings, Interviews
    Paris sans fin
    Il tempo passa troppo presto. Lettere alla famiglia
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    • Alberto Giacometti scrisse per tutta la vita lettere settimanali alla famiglia, documentando la sua vita e la sua ricerca artistica. Questa raccolta, redatta in gran parte in italiano, offre uno sguardo diretto sulla sua avventura artistica, dagli anni del collegio agli incontri con le avanguardie e le mostre internazionali.

      Il tempo passa troppo presto. Lettere alla famiglia
    • Paris sans fin

      Alberto Giacometti – eine Hommage an die Stadt der Städte

      • 170pagine
      • 6 ore di lettura

      Alberto Giacometti war Ende der 1950er-Jahre bereits ein berühmter und reicher Künstler, doch seine eigenen Ansprüche und Lebensgewohnheiten änderte er nicht. Im Café-Tabac Le Gaulois nahm er am frühen Nachmittag ein bescheidenes Essen zu sich, am Abend war für ihn ein Tisch in der Coupole reserviert. Sonst bewegte er sich in Paris kaum ausserhalb seiner gewohnten Umgebung. Das änderte sich, als Alberto Giacometti 1958 die damals zwanzigjährige Prostituierte Caroline kennenlernte, die seine Geliebte und sein Modell wurde. Er kaufte ihr einen roten MG, und während sie durch Paris fuhr, zeichnete er auf dem Beifahrersitz seine Stadt, sein «Paris sans fin». Das 150 Einzelblätter umfassende Mappenwerk gilt als Vermächtnis seines grafischen Schaffens und ist zugleich dessen Kulmination. «Paris sans fin» zeigt die Orte und die Menschen, die dem Künstler wichtig waren. 1969, drei Jahre nach Alberto Giacomettis Tod, veröffentlichte sein Freund, der Verleger Tériade, dieses Werk.

      Paris sans fin
    • The collection features important writings from Alberto Giacometti, a pivotal figure in 20th-century art. It offers insights into his artistic philosophy, creative process, and reflections on existence and identity. Through his words, readers gain a deeper understanding of Giacometti's innovative approaches to sculpture and painting, as well as his influence on modern art. This compilation serves as a valuable resource for those interested in the intersections of art, thought, and the human experience.

      Alberto Giacometti: Works, Writings, Interviews
    • Notes on the Copies

      • 68pagine
      • 3 ore di lettura

      Exploring the relationship between copies and original works of art, the author argues that creating copies serves as an invaluable educational tool for artists. This perspective emphasizes that engaging with masterpieces through replication enhances understanding and skill, suggesting that the act of copying is not merely imitation but a profound learning experience. The book delves into the significance of art encounters and the transformative potential of studying great works through copying.

      Notes on the Copies
    • "Pablo Picasso and Alberto Giacometti, each in their own way, deeply disrupted existing artistic codes and pushed the limits of established aesthetic canons in the realms of painting and sculpture. This volume reveals the little known relationship--both artistic and personal--between the artists and their dialogue on the subjects and questions central to their work. More than one hundred reproductions of Picasso and Giacometti's works establish clear correlations in their artistic production, and expert authors offer incisive insight on these links, drawing on previously unpublished documents. A constellation diagram maps out the vast network of their shared acquaintances and sources of inspiration, and an anthology of historical texts offers perspective from contemporaries of the master artists" --publishers' description, page [4] of jacket

      Picasso - Giacometti.
    • I Certainly Practise Painting...

      • 66pagine
      • 3 ore di lettura

      The book emphasizes the importance of foundational skills in painting, suggesting that aspiring artists should begin by replicating simple objects, such as an apple. This advice highlights the value of observation and practice in developing artistic techniques. Through this approach, the author encourages young painters to build confidence and mastery before exploring more complex subjects.

      I Certainly Practise Painting...
    • Why I am a sculptor

      • 66pagine
      • 3 ore di lettura

      Exploring the concept of sculpture, the book delves into the idea that a sculpture transcends being a mere object; it embodies a dynamic process of questioning and responding. It emphasizes that true artistry lies in the perpetual state of inquiry, suggesting that sculptures are never truly complete or flawless, but rather ongoing dialogues that challenge perceptions and provoke thought.

      Why I am a sculptor
    • The narrative explores themes of overcoming fear and personal transformation. The protagonist embarks on a journey of self-discovery, shedding past anxieties and embracing a newfound sense of empowerment. As they navigate challenges, the story highlights resilience and the importance of facing one's inner demons. Through introspective moments and encounters with others, the character evolves, ultimately finding strength and courage in their vulnerability. This compelling journey inspires readers to confront their own fears and embrace change.

      The Dream, the Sphinx, and the Death of T.