La peste
- 245pagine
- 9 ore di lettura
Albert Camus, autore francese di origine algerina, è rinomato per la sua esplorazione dell'assurdo e della rivolta umana contro di esso. Le sue opere affrontano spesso temi come l'alienazione, la ricerca di significato e l'ordine morale in un mondo senza Dio. La prosa di Camus è caratterizzata da purezza, intensità e razionalità, riflettendo la sua incessante indagine etica. La sua eredità letteraria risiede nei suoi urgenti insegnamenti sull'abbracciare l'assurdo con speranza e rifiutare la disperazione.







La collezione "Conoscere un'opera" offre di sapere tutto su Lo straniero di Albert Camus, grazie a una scheda di lettura tanto completa quanto dettagliata. La scrittura, chiara e accessibile, è stata affidata a uno specialista universitario. Questa scheda di lettura è conforme a una carta di qualità creata da un team d'insegnanti. Nella presente guida contiene la biografia di Albert Camus, la presentazione dell'opera, il riassunto dettagliato (capitolo per capitolo), le ragioni del suo successo, i temi principali e l'analisi del movimento letterario dell'autore.
Quest'opera è l'adattamento teatrale dei Demoni di Dostoevskij: viene rappresentata nel 1959, un anno prima della morte di Camus. È l'opera che lo scrittore ha in mente da sempre, a cui ha lavorato con ostinazione e che considera "uno dei quattro o cinque libri al di sopra di tutti gli altri". "I Demoni" è un libro profetico, non solo perché, come dice Camus, "annuncia il nichilismo dell'uomo moderno, ma anche perché descrive alla perfezione il disagio dell'uomo ad accettare la finitezza del suo essere nel mondo".
Featuring the most significant lectures and speeches of a Nobel Prize winner, this collection presents a fresh English translation by Quintin Hoare. It showcases the enduring impact of the author's ideas and insights, making it a vital resource for those interested in their influential thoughts and contributions. This marks the first time these important works are available in English, enriching the understanding of the author's legacy.
From 1935 until his death, Albert Camus kept a series of notebooks to sketch out ideas for future works, record snatches of conversations and excerpts from books he was reading, and jot down his reflections on death and the horror of war, his feelings about women and loneliness and art, and his appreciations for the Algerian sun and sea. These three volumes, now available together for the first time in paperback, include all entries made from the time when Camus was still completely unknown in Europe, until he was killed in an automobile accident in 1960, at the height of his creative powers. In 1957 he had been awarded the Nobel Prize for Literature. A spiritual and intellectual autobiography, Camus' Notebooks are invariably more concerned with what he felt than with what he did. It is intriguing for the reader to watch him seize and develop certain themes and ideas, discard others that at first seemed promising, and explore different types of experience. Although the Notebooks may have served Camus as a practice ground, the prose is of superior quality, which makes a short spontaneous vignette or a moment of sensuous beauty quickly captured on the page a small work of art.Here is a record of one of the most unusual minds of our time.
This collection features four thought-provoking masterworks by the Nobel Prize-winning author, presented in a new American translation by Ryan Bloom. It includes Camus's final versions of the plays, along with deleted scenes and alternate dialogue, making this the first time they are available in English. While renowned for his novels exploring absurdism, Camus found joy in the theater, calling it "one of the only places in the world I'm happy." After forming two troupes in Algeria, he moved to Paris, where he staged these original works between 1944-1949. Caligula, his first full-length play, explores the Roman emperor's grief over his sister Drusilla's death, raising existential questions about living in the face of time's relentless passage. The collection also includes The Misunderstanding, which delves into the complexities of longing for home versus the allure of elsewhere; The Just, which examines the ethical dilemmas surrounding political assassination; and State of Emergency, an allegorical piece featuring The Plague as a character, offering fresh insights into contemporary struggles with disease and authoritarianism. Together, these plays illuminate the depths of human experience and the moral dilemmas we face.
This final volume, recorded over the last nine years of his life, takes on the characteristics of a personal diary.--[book jacket].