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Focusing on the concept of the "new man," this work explores the intersection of modernism and Soviet architecture, emphasizing how design influenced communist ideology and identity. Rather than concentrating on architectural styles or prominent figures, it delves into how architectural practices shaped the social and psychological aspects of Soviet life, reflecting the aspirations and values of the era. This approach offers a fresh perspective on the cultural and political implications of architectural development in the Soviet Union.
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Modernism and the making of the Soviet New Man, Tijana Vujosevic
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- 2017
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