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Exploring the intersection of opera and German modernism, the study highlights how operatic depictions of mountains reflect broader themes of politics, nature, technology, and aesthetics. Morris delves into the landscape's liminality, examining its role in shaping opera's self-awareness and its relationship with various media. The analysis extends to musical works like Strauss's Alpine Symphony and the Bergfilm, demonstrating how the ideology of mountains enhances the understanding of these artistic expressions. This innovative approach contributes significantly to modernist studies.
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Modernism and the Cult of Mountains: Music, Opera, Cinema, Christopher Morris
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- Pubblicato
- 2012
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