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The book examines the evolution of protest music in France since 1981, highlighting the contradictions faced by artists who transition to mainstream success while maintaining political commitments. It delves into music production, the portrayal of protest identities within national discourse, and the audience dynamics of French protest music. Additionally, it considers festivals as venues for negotiating non-mainstream identities, providing a comprehensive analysis of the intersection between music, politics, and cultural identity in contemporary France.
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Protest Music in France, Barbara Lebrun
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- 2009
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