Traumatic cinema is explored as a powerful medium that evokes deep emotional responses related to memory and trauma. Tarja Laine analyzes how this genre conveys the struggle to process traumatic experiences through its unique aesthetic qualities, highlighting the interplay between film's temporal nature and the complexities of trauma. The book delves into the ways these films engage viewers, prompting reflection on the impact of unresolved trauma.
Exploring the intricate emotional landscape of "The Hunger Games," this analysis delves into the moral dilemmas faced by characters in a dystopian society. It examines themes of survival, sacrifice, and the impact of trauma on relationships and personal identity. The book highlights how emotional responses shape decisions and reflect broader societal issues, providing a nuanced understanding of the characters' motivations and the ethical implications of their actions in a harsh, competitive environment.
Bodies in Pain analyses how Aronofsky's films engage the spectator in an
affective form of viewing that involves all the senses, ultimately engendering
a process of (self) reflection through their emotional dynamics.
Shame and Desire defines the contemporary cinematic experience in terms that go beyond the visual. Adopting an intersubjective perspective on film studies, the author maintains that the dialectical poles of subject and object, seeing and being seen no longer seem to be valid. We are now surrounded by images that look back at us provocatively, seductively, indifferently; and not only in movies, but also in art, television, the city, in chance encounters, and in our private relationships.Taking her cue from Jean-Paul Sartre, the author shows how emotions exemplify the way in which we are ‘forced’ to see ourselves through the eyes of others, unable to escape an identity that is imposed upon us from the outside but nevertheless resides ‘in the flesh’ – in the affective operations of the body and the senses. To illustrate her account of the intersubjective dynamics and affective bonds of cinema, the author explores the contemporary aesthetic investment in the emotional in the work of filmmakers such as Lars von Trier, Michael Haneke and Eija-Liisa Ahtila.This book proposes an insight into the ways in which we are engaged with visual displays and the look with which they respond to our looking.
