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Kim Hyesoon

    Kim Hyesoon è una delle poetesse contemporanee più significative della Corea del Sud, che persegue una liberazione dalla forma nella sua opera. Sperimenta con il linguaggio, concentrandosi sul corpo sensuale, spesso femminile, opponendosi direttamente alla poesia lirica dominata dagli uomini. Le sue poesie sono dirette, deliberatamente grottesche, teatrali, inquietanti e viscerali, impiegando un linguaggio giocoso per sovvertire i ruoli tradizionali delle donne. La sua scrittura è caratterizzata come surrealismo femminista.

    Die Frau im Wolkenschloss. Gedichte
    There it is!
    Trilingual Renshi
    I'm Ok, I'm Pig!
    Phantom Pain Wings
    Autobiography of Death
    • Autobiography of Death

      • 128pagine
      • 5 ore di lettura

      Kim Hyesoon's poems "create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other" (Sean O'Brien, The Independent)

      Autobiography of Death
    • Winged ventriloquy-a powerful new poetry collection channeling the language of birds by South Korea's most innovative contemporary writer

      Phantom Pain Wings
    • I'm Ok, I'm Pig!

      • 160pagine
      • 6 ore di lettura

      First British edition of leading South Korean poet known for her innovative experimental feminist poetry.

      I'm Ok, I'm Pig!
    • Renshi is a modern version of the traditional Japanese linked poem, Renku. As the 70th anniversary for the end of the World War II approaches and the politicians prepare for their 'historic speeches' to be delivered on August 15, 2015, 4 poets from Japan, China and Korea decide to have a Trilingual Renshi session, linking themselves to each other through translation and e-mails. The result is a mandala of 36 poems with the shared themes of 'Sea', 'Rice', and 'Sun'. It is at once the celebration of humanity which transcends nation, race, and even language, and the poetic action for the "resistance against the world's entropy."

      Trilingual Renshi
    • This title features a hidden object on each page within the picture. Children will develop observation, logical thinking and reasoning skills by interacting with the story. Joy Cowley pays close attention to vocabulary, line breaks and the flow of text to make these stories simpler and easier to read.

      There it is!
    • Die Berliner Rede zur Poesie wird am 11. Juni 2023 von der südkoreanischen Lyrikerin Kim Hyesoon gehalten. Die Berliner Rede zur Poesie 2023 wird die 1955 in Uljin (Provinz Nord-Kyŏngsang) geborene Kim Hyesoon halten. Sie studierte koreanische Literatur und erlangte in den späten 90er Jahren große Bekanntheit. Ihr literarisches Debüt »Poet`Smoking a Cigarette« erschien 1979. Kims Virtuosität als Dichterin liegt in ihrer Fähigkeit, mit experimenteller Sprache einzigartige poetische Bilder zu schaffen und gleichzeitig ein tiefes Interesse am so genannten weiblichen Schreiben zu bewahren, das in weiblichen Erfahrungen und Seinsweisen wurzelt. Ihre zentralen, in den unkonventionellen Arbeiten verarbeiteten Themen sind sowohl die Emanzipation als auch das Streben nach Freiheit in der koreanischen Gesellschaft. Sie gehört zu den bekanntesten modernen Lyrikerinnen Koreas. Derzeit lehrt sie Kreatives Schreiben am Seoul Institute of the Arts.

      Tongueless Mother Tongue