An extra-terrestrial alien, capable of replicating any living form it touches, infiltrates an isolated Antarctic research base, sowing suspicion and terror among the men trapped there. The question arises: who is still human, and who is a perfect alien imitation? John Carpenter's film, the second adaptation of John W. Campbell's 1938 novella, initially faced harsh criticism upon its 1982 release but has since emerged as a classic that masterfully blends science fiction and horror. It is now celebrated for its groundbreaking practical special effects, well-developed characters brought to life by a talented cast, striking widescreen cinematography, haunting score, and a uniquely tense narrative filled with ever-evolving metaphors about the human condition. Anne Billson's insightful study, first published in 1997, was among the first to recognize the film as a modern classic, praising its role in redefining horror and science fiction conventions while incorporating sly humor and unsettlingly relevant metaphors for the sociopolitical, scientific, and medical upheavals of recent decades. In her foreword to this new edition, Billson discusses The Thing's evolving reputation since its release, its impact on filmmakers like Tarantino and del Toro, and its relevance in today's context of climate change and global health crises.
Anne Billson Libri
Anne Billson crea narrazioni che si immergono nel soprannaturale con un mix unico di arguzia e acuta osservazione. I suoi romanzi sovvertono giocosamente le aspettative del genere, reinventando tropi familiari come vampiri e fantasmi con una sensibilità fresca e spesso ironica. Oltre alla narrativa, Billson estende il suo acuto occhio analitico alla critica cinematografica, esplorando in particolare la rappresentazione cinematografica dei felini con profondità accademica e passione evidente. La sua voce distintiva emerge attraverso una combinazione di commenti acuti e un approccio non convenzionale alla narrazione, che la rende una presenza notevole sia nel discorso letterario che in quello cinematografico.
Suckers
- 315pagine
- 12 ore di lettura
In the greed-is-good Eighties, The Look is black clothes with white faces, black hair, and mouths painted scarlet, but Dora knows she must stop a takeover by terminally chic vampires.
Screen Lovers
- 208pagine
- 8 ore di lettura
Traces types of screen love from unselfish sacrifice to sexual obsession, providing photographs and commentary on Hollywood's most romantic screen couples.
Der Nachbar
- 349pagine
- 13 ore di lettura
Clare, die auf der falschen Seite der Stadt festsitzt, ist verzweifelt, das gute Leben unter den Schriftstellern und Künstlern des trendigen Notting Hill zu leben, wie ihre Freundin Sophie. Deshalb zögert sie nicht, in ein Haus mit einer schrecklichen Geschichte zu ziehen, auch wenn einige der ehemaligen Bewohner immer noch spürbar sind... Aber wie weit ist Clare bereit zu gehen für eine W11-Postleitzahl? So weit, dass sie mit jemandem zusammenwohnt, der, wie sie es ausdrückt, "lebenswichtige Herausforderungen" hat? Von der Autorin des Kult-Vampirromans Suckers kommt eine 'sexy, sarkastische und deutlich gruselige' Geschichte über Mädchen, Geister und Glamour, die in einem Teil Londons spielt, der in weniger als einem Jahrhundert von einem gefährlichen Slum namens The Piggeries in eine der modischsten Adressen der Stadt verwandelt wurde.