Nicholas Ruddick Libri

This collection of twenty essays originally presented at the Eleventh International Conference on the Fantastic in the Arts contains five on fantasists and their work, contemporary fantastic theory and practice, studies in the British and European fantastic, studies in American fantasy and science fiction, and sex and techno-horror in fantastic literature and film.What all the essays here have in common is that their authors are all aware of the tremendous latent power, for good and ill, of the fantastic text. We are given timely reminders of the dangers, as well as the appeal, of elves and how narrators in fantastic fictions take advantage of our desire to be part of a narrative community. We learn how some contemporary fantasists assimilate literary and scientific theory, while others seem in their fiction to require a new sociology to account for it.

Exploring the genre of prehistoric fiction, this book delves into its origins, themes, and cultural significance. It examines how ancient settings and characters reflect human experiences and societal values, offering insights into storytelling practices across different cultures. By analyzing key works and their impact, the study highlights the evolution of this unique genre and its relevance in contemporary literature, making it an essential resource for scholars and enthusiasts alike.