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Guido Ruggiero

    Guido Ruggiero è uno storico che si concentra principalmente sulla storia sociale e culturale dell'Italia rinascimentale e della prima età moderna. Il suo lavoro approfondisce temi come il genere, il sesso, il crimine e la vita quotidiana, impiegando approcci interdisciplinari che fondono microstoria, storia narrativa e critica letteraria. Ruggiero promuove l'uso di fonti d'archivio per raccontare storie avvincenti, integrando letteratura e ricerca storica. La sua ricerca si concentra spesso su Venezia, cercando di offrire nuovi paradigmi per comprendere il Rinascimento italiano attraverso il suo tessuto sociale.

    Love and Sex in the Time of Plague
    The Boundaries of Eros
    • 2021

      Love and Sex in the Time of Plague

      A Decameron Renaissance

      • 320pagine
      • 12 ore di lettura

      Set against the backdrop of Renaissance Florence, this exploration delves into the impact of Giovanni Boccaccio's Decameron during a tumultuous era marked by the Black Death and significant political upheaval. The narrative reflects themes of love, sex, loyalty, and betrayal, highlighting how the work redefined concepts of truth and virtue amidst desperation and potential for change. Ruggiero captures the essence of how the Decameron was perceived in the fourteenth century, offering a vivid portrayal of its cultural significance.

      Love and Sex in the Time of Plague
    • 1989

      The Boundaries of Eros

      • 240pagine
      • 9 ore di lettura

      Utilizing the records of several Venetian courts that dealt with sex crimes, Ruggiero traces the evolution of both licit and illicit sexuality during the 14th and 15th centuries. He argues that the use of such records reveals not only the nature of sexual behaviour that was considered criminal, but also what society established as the norm. Through this examination of illicit sexuality, Ruggiero sheds light on the institutions, languages, social life and values not only of this shadow-culture, but also of Venetian society and, ultimately, the Renaissance itself.

      The Boundaries of Eros