The New Negro Aesthetic
- 368pagine
- 13 ore di lettura
"Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination"-- Provided by publisher
Alain LeRoy Locke fu un filosofo ed educatore fondamentale, riconosciuto come il principale interprete del Rinascimento di Harlem. La sua filosofia del pluralismo culturale enfatizzava l'unicità di ogni personalità e il suo valore nel guidare la condotta umana. Umanista profondamente interessato all'estetica, Locke esplorò come questi principi modellassero le interrelazioni. I suoi quasi quattro decenni di insegnamento alla Howard University consolidarono la sua eredità come profonda influenza sulla cultura e sul pensiero americano.





"Pulitzer Prize-winning biographer edits a collection of Alain Locke's influential essays on the importance of the Black artist and the Black imagination"-- Provided by publisher
A Pictorial Record of the Negro Artist and of the Negro Theme in Art
This reprint showcases a significant collection of African American art up to 1940, featuring a wide array of artists such as Juan Pareja, Edmonia Lewis, and Archibald J. Motley. It includes detailed biographies and notes, providing context and insight into the contributions of these artists. The book is richly illustrated with plates of their works, making it an essential document for understanding the evolution and impact of African American art. The facsimile format preserves the original edition's integrity, enhancing its historical value.
Focusing on the transformative role of art, the anthology features prominent voices of the Harlem Renaissance, including Countee Cullen, Langston Hughes, and Zora Neale Hurston. Alain Locke's writings emphasize self-understanding and independence, portraying the New Negro as a symbol of resilience and a departure from a painful history. This collection serves as a pivotal exploration of African American identity and culture, aiming to inspire meaningful change and redefine societal perceptions.
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
The book offers a comprehensive examination of African-American artists, showcasing their significant contributions to various visual mediums. Authored by a pioneering figure of the Harlem Renaissance and the first African-American Rhodes Scholar, it provides detailed descriptions of key works and artists, marking a crucial study in the representation of African-American art. This reprint preserves the original's integrity, making it a valuable resource for understanding the artistic landscape of the time.