Adam Kotsko Libri

In this book, Dickson and Kotso examine Agamben's more recent theologically- focused writing and its implications for philosophical thought.

This book argues that neoliberalism must be understood as a system of political theology that claims to be founded on individual freedom but demonizes anyone who falls short of its impossible standards.

Adam Kotsko makes the case for the continued relevance of Christian theology for contemporary intellectual life, demonstrating its vibrancy as a creative and constructive pursuit outside the church, rethinking its often rivalrous relationship with philosophy, and tracing the theological roots of modern models of governance and racial oppression.

The Polymers is a bold new work from one of our most ambitious poetic minds. Structured as an imaginary science project, the varied pieces in this collection investigate the intersection of poetry and chemicals, specifically plastics, attempting to understand their essential role in culture. Through various procedures, constraints, and formal mutations, the poems express the repeating structures fundamental to plastic molecules as they appear in cultural and linguistic behaviours such as arguments, anxieties, and trends. A wildly experimental and chemically reactive work, The Polymers thrills and provokes. You’ll never look at the world of a poem ― or the world itself ― in the same way again.

Argues that the awkwardness of our age is a key to understanding human experience.

Argues that our fascination with cold and ruthless television characters reflects a broken social contract.

"The poems of Anatomic have emerged from biomonitoring and microbiome testing on the author's body to examine the way the outside writes the inside, whether we like it or not. Adam Dickinson drew blood, collected urine, swabbed bacteria, and tested his feces to measure the precise chemical and microbial diversity of his body. To his horror, he discovered that our "petroculture" has infiltrated our very bodies with pesticides, flame retardants, and other substances. He discovered shifting communities of microbes that reflect his dependence on the sugar, salt, and fat of the Western diet, and he discovered how we rely on nonhuman organisms to make us human, to regulate our moods and personalities. Structured like the hormones some of these synthetic chemicals mimic in our bodies, this sequence of poems links the author's biographical details (diet, lifestyle, geography) with historical details (spills, poisonings, military applications) to show how permeable our bodies are to the environment. As Dickinson becomes obsessed with limiting the rampant contamination of his own biochemistry, he turns this chemical-microbial autobiography into an anxious plea for us to consider what we're doing to our world -- and to our own bodies."--Amazon.com

Looking at figures including Michel Foucault, St Paul, Nietzsche, the Marquis de Sade, Simone Weil and Hannah Arendt, this one-stop reference to Agamben s influences covers 30 thinkers: his primary interlocutors, his secondary references, and the figures who lurk in the background of his arguments without being directly mentioned.

The book shows how Agamben's political concerns emerged and evolved as Agamben responded to contemporary events and new intellectual influences while striving to remain true to his deepest intuitions. Kotsko reveals the trajectory of Agamben's work and shows us what it means to practice philosophy as a living, responsive discipline.

Dickinson traces the development of two concepts, the messianic and the canonical, as they circulate, interweave and contest each other in the work of three prominent continental philosophers: Walter Benjamin, Jacques Derrida and Giorgio Agamben, though a strong supporting cast of Jan Assmann, Gershom Scholem, Jacob Taubes and Paul Ricoeur, among others, also play their respective roles throughout this study. He isolates how their various interactions with their chosen terms reflects a good deal of what is said within the various discourses that constitute what we have conveniently labelled, often in mistakenly monolithic terms, as 'Theology'.By narrowing the scope of this study to the dynamics generated historically by these contrasting terms, he also seeks to determine what exactly lies at the heart of theology's seemingly most treasured object: the presentation beyond any representation, the supposed true nucleus of all revelation and what lies behind any search for a 'theology of immanence' today.