Alyson Waters Libri

An NYRB Classics Original Emmanuel Bove was one of the most original writers to come out of twentieth-century France and a popular success in his day. Discovered by Colette, who arranged for the publication of his first novel, My Friends, Bove enjoyed a busy literary career, until the German occupation silenced him. During his lifetime, his novels and stories were admired by Rilke, the surrealists, Camus, and Beckett, who said of him that “more than anyone else he has an instinct for the essential detail.” Henry Duchemin and His Shadows is the ideal introduction to Bove’s world, with its cast of stubborn isolatoes who call to mind Melville’s Bartleby, Walser’s “little men,” and Rhys’s lost women. Henri Duchemin, the protagonist of the collection’s first story, “Night Crime,” is ambivalent, afraid of appearing ridiculous, desperate for money: in other words, the perfect prey. Criminals, beautiful women, and profiteers threaten the sad young men of Bove’s stories, but worse yet are the interior voices and paranoia that propel them to their fates. The poet of the flophouse and the dive, the park bench and the pigeon’s crumb, Bove is also a deeply empathetic writer for whom no defeat is so great as to silence desire.

An existential detective story by one of France's most popular modern writers, set in a mid-nineteenth century mountain village, available in English for the first time A King Alone is set in a remote Alpine village that is cut off from the world by rugged mountains and by long months when the ground is covered with snow and the heavens with cloud. One such winter, villagers begin mysteriously to disappear. Soon the village is paralyzed by terror, which gives way to relief and eager anticipation when the outsider Langlois arrives to investigate. What he discovers, however, will leave no one reassured, and his reappearance in the village a few years later, now assigned the task of guarding it from wolves, awakens those troubling memories. A man of few words, a regal manner, and military efficiency, Langlois baffles and fascinates the villagers, whose different responses to him shape Jean Giono’s increasingly charged narrative. This novel about a tiny community at the dangerous edge of things and a man of law who is a man alone could be described as a metaphysical Western. It unfolds with the uncanny inevitability and disturbing intensity of a dream.