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Doris Behrens-Abouseif

    Beauty in Arabic Culture
    Metalwork from the Arab World and the Mediterranean
    Practising Diplomacy in the Mamluk Sultanate
    • Elaborate and sensational gifts were the hallmark of Mamluk diplomacy. From Cairo, where they controlled the medieval spice trade and the holy sites of Christianity and Islam, the Mamluk Sultans-conscious of their humble slave origins-augmented their claims to legitimacy through brilliant displays of diplomatic gift-giving, creating a celebrated reputation for the Sultanate from Europe to the Far East. From spices, ceremonial textiles, and military objects, to elephants and giraffes, and even humans-either living or as severed heads. The offerings varied in combination and emphasis according to the status and circumstances of giver and receiver, but always created a sensation. Through an unparalleled study of primary sources and rigorous fieldwork, this original book-richly illustrated in colour-explores the unpredictable and nuanced art of the regal gift in the Mamluk Sultanate from 1250-1517. Doris Behrens-Abouseif not only provides the first study of this subject, but makes an important contribution to the study of diplomacy, economics, visual arts, and material culture in the medieval period.

      Practising Diplomacy in the Mamluk Sultanate
    • The al-Sabah Collection in Kuwait showcases a rich array of Islamic art and artifacts, reflecting the cultural heritage and historical significance of the Islamic world. This collection features exquisite pieces that highlight the artistic achievements and craftsmanship across various periods and regions. It serves as a vital resource for understanding the evolution of Islamic art and the diverse influences that have shaped it throughout history.

      Metalwork from the Arab World and the Mediterranean
    • The book explores how Arabic Islamic thought fostered a unique conception of beauty, detached from moral or religious standards. It emphasizes the independence of artistic expression, allowing for a separation between art and divine influences, thus paving the way for a distinct set of aesthetic norms that prioritize creativity over metaphysical connections.

      Beauty in Arabic Culture