Jennifer Egan Ordine dei libri (cronologico)

Achtzig Titanschrauben halten das Gesicht des Models Charlotte Swenson nach einem schweren Autounfall zusammen. Zwar immer noch schön, erinnert nichts mehr an ihr früheres Aussehen. Als sie nach ihrem Krankenhausaufenthalt in ihr Apartment im 25. Stock zurückkehrt, ist sie wie eine Fremde in New York, jener Stadt, die ihr früher die Welt bedeutete. Doch was, wenn die Öffentlichkeit längst von makelloser Schönheit gelangweilt ist und echtes Blut sehen will? Mit erzählerischer Brillanz und satirischer Hellsichtigkeit hinterfragt Jennifer Egan unsere obsessive Image-Kultur und den Maßstab ihrer Werte. Ein kühl hypnotisierender Thriller im Stile David Lynchs über »das irrsinnige Treiben auf dem Jahrmarkt der Eitelkeiten und den blindwütigen Hass derjenigen, die nicht mittanzen dürfen.« Frankfurter Allgemeine Zeitung

The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is 'one of those tech demi-gods with whom we're all on a first name basis.' Bix is 40, with four kids, restless, desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or 'externalizing' memory. It's 2010. Within a decade, Bix's new technology, 'Own Your Unconscious'--That allows you access to every memory you've ever had, and to share every memory in exchange for access to the memories of others--has seduced multitudes. But not everyone. Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades...The Candy House is also a testament to the tenacity and transcendence of human longing for real connection, family, privacy, and love. -- Adapted from publisher's description

Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town during the time of social unrest prior to the Reform Bill of 1832 is told through the lives of Dorothea Brooke and Dr Tertius Lydgate and includes a host of other paradigm characters who illuminate the condition of English life in the mid-nineteenth century.

Manhattan Beach opens in Brooklyn during the Great Depression. Anna Kerrigan, nearly twelve years old, accompanies her father to the house of Dexter Styles, a man who, she gleans, is crucial to the survival of her father and her family. Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women are allowed to hold jobs that had always belonged to men. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. She is the sole provider for her mother, a farm girl who had a brief and glamorous career with the Ziegfeld Follies, and her lovely, severely disabled sister. At a nightclub, she chances to meet Dexter Styles again, and she begins to understand the complexity of her father's life, the reasons he might have vanished"--

Presents twenty of the best works of short fiction of the past year from a variety of acclaimed sources.

Jack has sensory processing disorder and experiences life differently. Jack visits his Grandparents cabin and learns to like the snow. He gets encouragement from different family members and learns to be brave, in order to join in and make a snowman with his family. Come join Jack on his journey, and learn to be brave along with him!

Il tempo è un bastardo è un romanzo insolito composto da racconti eterogenei per ambientazione e stile, ma uniti dai medesimi personaggi. Al centro ci sono Bennie Salazar, ex musicista punk e ora discografico di successo, e la sua fidatissima collaboratrice Sasha, una donna forte con un passato turbolento. Le loro storie si sviluppano tra la San Francisco underground della fine degli anni Settanta e una New York futura, dove sms e social network influenzano le emozioni collettive. Si alternano improbabili ascese sociali, matrimoni falliti, fughe adolescenziali nei bassifondi di Napoli e scommesse vincenti su musicisti considerati finiti. Attorno a Bennie e Sasha si intrecciano le vicende di famiglie, amici e mentori, creando una costellazione di co-protagonisti indimenticabili. L'autrice esplora le degenerazioni del giornalismo e dello star-system, la meraviglia delle droghe psichedeliche e le dinamiche emotive di un bambino autistico nella provincia americana del futuro. Superando gli stereotipi della narrativa tradizionale, il romanzo rimane accessibile e coinvolgente, aprendo a infinite possibilità di esistenza e prosa. Ha conquistato la vetta della scena letteraria americana e si avvia a diventare un caso internazionale, vincendo il premio Pulitzer.

In a captivating narrative, Jennifer Egan explores a world where escape is unattainable, and the tower symbolizes both the ultimate sanctuary and a necessary sacrifice for survival. The story delves into themes of protection and the difficult choices faced in dire circumstances, highlighting the tension between clinging to safety and the need to let go for the sake of life. Egan's masterful storytelling brings this complex emotional landscape to life, engaging readers in a profound examination of resilience and sacrifice.

Recently recovered from a catastrophic car accident, fashion model Charlotte Swenson returns to life in Manhattan. Her beautiful face conceals eighty titanium screws that hold together her shattered bones. Charlotte, now unrecognizable to those who knew her before the accident, begins to float invisibly away from her former life and into an ephemeral world of fashion nightclubs and Internet projects, where image and reality blur. "Look at Me" is both a satire of our image-obsessed times and a mystery of human identity. Jennifer Egan illuminates the difficulties of shaping an inner life in a culture preoccupied with surfaces and asks whether 'truth' can have any meaning in an era when reality itself has become a style.Written with a masterful intelligence and grace, "Look at Me" establishes Jennifer Egan as one of the most daring and gifted novelists of her generation. 'The plot is a glorious and intricate mechanism, but it is Egan's style that ignites the imagination. Her prose is balanced, evocative and beautiful. And her underlying interest in the nature of self, image and reality permeates this sardonic and forceful work' - "Daily Telegraph". 'Bitingly intelligent satire on American celebrity culture' - "Independent". 'A parody of the self-discovery novel, it's an intelligent, gripping read about the manipulation of the individual' - "Time Out".

In Jennifer Egan's highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O'Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith's life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith's lost generation. This spellbinding novel introduced Egan's remarkable ability to tie suspense with deeply insightful characters and the nuances of emotion.