Guy de Maupassant Libri

Francia, fine Ottocento. La Normandia, il mondo della finanza colonialista, amori infelici e legami spezzati, la guerra, l'inettitudine della classe media: questi i temi che ricorrono nelle tranches de vìe che vanno a comporre l'immagine di un paese decadente, immobile, di una borghesia piatta e mediocre, condannata a sopportare la realtà senza viverla. L'osservazione acuta del naturalista si coniuga in Maupassant a un'attenzione morbosa nei confronti dell'ambiguità delle sensazioni e della fragilità delle psicologie.

Un’atmosfera inquietante, fosca, ossessiva, una costante e pericolosa oscillazione tra la lucida razionalità e la più inafferrabile visionarietà, l’allontanamento completo da tutti i «sani» princìpi della dignità borghese a favore della più esplicita, dilacerante follia fanno di questi racconti il grafico capriccioso, tormentato, sconvolgente dell’esistenza umana, nella quale la penna implacabile di Maupassant affonda senza più riserve. La grandezza di questi racconti è nell’intuizione che gli uomini vivono almeno due vite, quella reale e quella della memoria-immaginazione: è nella partecipazione, ora fervida, ora dolorosa, a entrambe queste vite.

In questo volume sono stati raccolti tutti i racconti pubblicati da Maupassant tra il 1885 e il 1891, da Le Horla a Il porto, da L'uliveto a Mosca.

Roman appartenente al "periodo dell'assurdo" della produzione di Camus, solitamente interpretato come una trasposizione artistica della filosofia dell'assurdo contenuta nel Mito di Sisifo, pubblicato nello stesso anno (1942). La storia si concentra su un protagonista che, con apatia, seppellisce sua madre. Il giorno dopo il funerale incontra la scrittrice Maria e stringe un'amicizia con un vicino, un pastore. Successivamente si svolge una dramma quando Mersault uccide senza motivo un arabo sulla spiaggia e viene condannato a morte. Questo apparente semplice racconto cattura la comprensione di Camus dell'assurdità del mondo. L'omicidio di Mersault appare come il risultato del caso, mentre il sole accecante e la luce offuscano la vista e disturbano l'equilibrio del giorno. La condanna di Mersault sembra basata sulla sua apatia emotiva, poiché non pianse al funerale della madre. Il suo personaggio rappresenta un esiliato, un estraneo tra gli uomini. La prosa è filosoficamente legata al saggio Mito di Sisifo, entrambi i lavori sono pilastri fondamentali della produzione di Camus.

Young, attractive and very ambitious, George Duroy, known to his friends as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end. Written when Maupassant was at the height of his powers, "Bel-Ami" is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity and humanity.

I Grandi Libri [370] Introduzione e traduzione di Mario Picchi. 1988 (XVI ed. 2013) XXIV + 528 pagine Scrittura scorrevole, acutezza dello sguardo sul mondo, attenzione a un'umanità piccola e affaccendata sono le doti di Maupassant, narratore prolifico e vivace che dal maestro Flaubert trae l'avvio per una produzione novellistica vasta e polifonica. Scrittore disincantato e uomo inquieto, Maupassant riversa in questi racconti ciò che i suoi occhi vigili registrano di un mondo annoiato e borghese, ricavandone una interpretazione impietosa ma onesta di una realtà – spesso banale, a volte tragica – in cui ognuno è condannato all'impotenza del vivere.

Contiene: Le Horlà, La mano scorticata, Pazzo?, La paura, L'orribile, Il tic, Diario di un magistrato, La morta .

Madame Raquin, una vecchia merciaia, si trasferisce a Parigi con il figlio Camillo e la nipote Teresa, da poco sposati. Il marito fa conoscere a Teresa il giovane Lorenzo, il quale, intuito il temperamento passionale e l'infelicità coniugale della donna, la seduce e ne diviene l'amante. Ma tra i due s'insinua l'idea del delitto che porterà alla morte di Camillo. I rimorsi e i sensi di colpa, distruggeranno l'esistenza dei due colpevoli che non troveranno pace fino alla morte.

Pubblicato nel 1884, "Yvette" è una delle opere più celebri di Maupassant e racconta un'educazione sentimentale e sociale. Corteggiata dall'elegante Servigny, l'ingenua Yvette inizia a prendere coscienza del contesto ambiguo in cui vive, influenzata da sua madre, un'avventuriera che si spaccia per marchesa. Senza ricorrere a toni melodrammatici o tragici, l'autore di "Boule de suif" dipinge questo demi-monde con tocchi precisi e sottili. Le altre novelle del racconto esplorano registri vari, dal quadro esotico o bellico ("Mohammed-Fripouille") al dramma psicologico ("L'Abandonné") o criminale ("Le Garde"). Ognuna offre un'alleanza di realismo minuzioso, senso dell'intrigo e ricreazione visionaria, che rappresentano la singolarità e la forza di Maupassant.

A Madame… Eravamo sette nella carrozza, quattro donne e tre uomini, di cui uno accanto al cocchiere, e salivamo, al passo dei cavalli, la grande salita dove si snodava la strada. Partiti da Étretat all'alba, per visitare le rovine di Tancarville, eravamo ancora assonnati, intorpiditi dall'aria fresca del mattino. Le donne, in particolare, poco abituate a questi risvegli da cacciatori, lasciavano cadere le palpebre in qualsiasi momento, inclinavano la testa o sbadigliavano, insensibili all'emozione dell'alba.

Uscito nel 1886, questo celebre e spassosissimo romanzo contiene pagine tra le più indicative, vivaci e psicologicamente approfondite di Guy de Maupassant.

"Le serate di Médan" è una delle più clamorose provocazioni lanciate da Émile Zola contro i "sacri" ideali militaristi e patriottardi tanto cari alla società francese del XIX secolo. Pubblicato nel 1880, all'indomani della disastrosa disfatta di Sedan che segnò di colpo la fine di Napoleone III e del Secondo Impero, il libro si propone, con spietata ironia, di fare "opera di verità" sull'insensata follia della guerra (di ogni guerra) con un linguaggio di grande novità, improntato a un crudo, sulfureo realismo ricco di sfumature provocatoriamente grottesche, che non mancarono di suscitare le indignate proteste della stampa e della borghesia benpensante. Nelle "Serate di Médan" la guerra viene vista "dal basso", in sei racconti esemplari - sei brevi capolavori firmati dal "maestro" Zola e dai suoi sodali Maupassant, Huysmans, Céard, Hennique e Alexis - in cui, senza mezzi termini, ci si fa beffe degli impennacchiati eroismi da parata e delle belle frasi altisonanti: storie di crudeltà e follia che, purtroppo, appaiono ancora quanto mai attuali. Con questa antologia (la prima della storia della letteratura ideata su una base tematica) Zola ribadisce la propria posizione di "maestro" della scuola naturalista, sottolineando fin dal titolo che il lavoro è frutto di un cenacolo di giovani artisti che lo riconoscono come tale (Médan è il villaggio nei pressi di Parigi che lo scrittore aveva eletto a sua residenza).

Ha un debole ricambiatissimo per l'altrosesso. Ne fa ottimo uso per una spettacolosa arrampicata sociale. Il suo nome è Georges Duroy, le donne lo chiamano Bel-Ami, lo amano, disposte a tutto per favorirlo e legarlo; a lui piacciono per sensualità, vanitoso compiacimento e lucidissimo calcolo. Una sequenza di amiche con mariti che contano e, alla fine, una moglie giovane e bella (con dote fastosa), lo portano al vertice, nelle stanze della trinità del potere: giornalismo-politica-finanza. Ha creato un esemplare umano che resiste al tempo e alle mode, un maschio eterno, del tutto privo di moralità, molto avido, un po' vile, appena sentimentale (solo con se stesso). Una creatura romanzesca e reale, come sono romanzeschi e reali l'arrivismo, lo spirito conformista e la corruzione di un mondo che si riconosce in un codice di comportamento con esclusive e sordide unità di misura: il successo e il profitto a qualunque costo.

A selection of short stories by Guy de Maupassant which includes Boule de Suif, The Minuet, Madame Husson's May King, A Vendetta, A Deal, The Model, The Olive Grove, Rose, At Sea, The Capture of Walter Schaffs and The Piece of String.

Set in the Paris of society women, prostitutes and small-minded bourgeousie, and the isolated villages of rural Normandy that de Maupassant knew as a child, the thirty-three tales in this volume are among the most darkly humorous and brilliant short stories in nineteenth-century literature. They focus on the relationships between men and women, as in the poignant fantasy of 'A Parisian Affair', between brothers and sisters, and between masters and servants. Through these relationships, Maupassant explores the dualistic nature of the human character and his stories reveal both nobility, civility and generosity, and, in stories such as 'At Sea' and 'Boule de Suif', vanity, greed and hypocrisy. Maupassant's stories repeatedly lay humanity bare with deft wit and devastating honesty.

This is one of a series of both classics and modern fiction rewritten for "learners of English." Includes questions for students

Featuring an early, previously unpublished title piece, this collection showcases the wit and keen observation of one of France's finest short-story writers. The long story, "Les dimanches d'un bourgeois de Paris," along with other previously unavailable works and authoritative translations of out-of-print pieces, highlights the author's signature style. Readers will enjoy a fresh perspective on Maupassant's humor and insights, making this a valuable addition for fans and newcomers alike.

New edition features 7 of the most popular tales of one of the greatest of all short-story writers. Included are "La Parure," "Mademoiselle Fifi," "La Maison Tellier," "La Ficelle," "Miss Harriet," "Boule de Suif" and "Le Horla," all reflecting Maupassant's intimate familiarity with Paris and the universality of his creations.

The French author Guy de Maupassant (1850-1893) was a master of the short story, creating detailed character studies and brief but moving dramas well suited to the genre.The nine stories in this collection provide a vivid portrait gallery of his typical subjects — from simple peasants and prostitutes to soldiers, government clerks, and provincial bourgeois. Brilliantly naturalistic, these short works also reveal Maupassant's ability to observe the innumerable details of everyday life and reproduce them artfully and accurately, often with a caustic sense of humor.His literary talents are amply displayed in this volume, which includes the memorable tale "Ball-of-Fat," regarded by many as technically one of the finest short stories ever written.Ball-of-Fat (Boule de Suif)The NecklaceA Piece of StringMme. Tellier's EstablishmentMademoiselle FifiMiss HarrietA Way to WealthMy Uncle JulesThe Horla

Huit nouvelles réalistes où Maupassant explore les destins singuliers de femmes et d'enfants avec une maîtrise remarquable. Cette édition est enrichie de compléments pédagogiques en lien avec le thème "La fiction pour interroger le réel" du programme de français en 4e. Les récits incluent "Le papa de Simon", où un garçon est harcelé à l'école pour l'absence de son père ; "Aux champs", où une femme riche propose d'adopter un enfant de paysans ; "L'enfant", où un homme découvre un nouveau-né lors du décès d'une ancienne maîtresse ; "L'abandonné", où une femme retourne voir son fils abandonné ; "Mademoiselle Perle", où un homme révèle un amour secret ; "La parure", où Mathilde perd un bijou emprunté ; "La dot", où Jeanne suit son mari à Paris ; et "Rouerie", où un comte raconte sa tromperie par sa maîtresse. Les compléments incluent des repères contextuels, des notes explicatives, des questionnaires, des définitions de notions clés et des visuels. Le dossier thématique "Enfances volées" examine comment l'abandon et la misère affectent l'enfance à travers des documents littéraires et artistiques, structuré en trois sections avec des mini-questionnaires. Un guide pédagogique gratuit est disponible pour les enseignants sur le site des éditions Hatier.

Sixteen tales of the dark powers that haunt the borders of madness by the acknowledged master of the realistic short story.From the withered hand chained to the wall, to the furniture which marched on crutches of wood over its desperate owner, these stories reveal not only the torment of the night's untruth but portray, even more frighteningly, the all-too-human terror felt when flesh and blood encounters the supernatural.The first selection of its kind to appear in English.

Often described as the father of the modern short story, there is perhaps no other writer more closely associated with the form than Guy de Maupassant. Included here is his most famous story, 'Boule de Suif', as well as tales of love, such as the brilliant 'Happiness', and the supernatural, like the chilling 'The Horla'.

A devastating novel about the treachery of love by Maupassant, now in a new translation by National Book Award and Pulitzer Prize winning poet and translator Richard Howard Olivier Bertin is at the height of his career as a painter. After making his name as a young man with his Cleopatra, he has gone on to establish himself as “the chosen painter of Parisiennes, the most adroit and ingenious artist to reveal their grace, their figures, and their souls.” And though his hair may be white, he remains a handsome, vigorous, and engaging bachelor, a prized guest at every table and salon. Olivier’s lover is Anne, the Countess de Guilleroy, the wife of a busy politician. Their relationship is long-standing, close, almost conjugal. The countess’s daughter is Annette, and she is the spitting image of her mother in her lovely youth. Having finished her schooling, Annette is returning to Paris. Her parents have put together an excellent match. Everything is as it should be—until the painter and countess are each seized by an agonizing suspicion, like death. . . . In its devastating depiction of the treacherous nature of love, Like Death is more than the equal of Swann’s Way. Richard Howard’s new translation brings out all the penetration and poetry of this masterpiece of nineteenth-century fiction.

Includes The Necklace, Butterball, The Tellier House, On the Water, Mademoiselle Fifi, The Mask, The Inn, A Day in the Country, The Hand, The Jewels, The Model, The Entity (The Horla) These stories—poignant scrutinies of social pretension, wicked tales of lust and love, and harrowing examinations of terror and madness—display the full genius of Guy de Maupassant in an enthralling new translation by Joachim Neugroschel. They reveal Maupassant’s remarkable range, his technical perfection, his sexual realism, and his ability to create whole worlds and sum up intricate universes of feeling in a few pages

Murder Most A Collection of Great Crime Stories

Boule de suif -- Deux amis -- Un duel -- La mere sauvage -- Un coup d'etat -- L'Aventure de Walter Schnaffs.

This translation of twenty tales shows Maupassant at his bitter, bawdy, chilling best. It features some of his grimmest and most famous stories such as A Vendetta and The Grove of Olives, and it also reflects both his moods and his mastery of the short story.

Henry James's admiration for "this masterly little novel" has been echoed throughout the twentieth century by readers of Pierre et Jean. It marked a turning point in the development of French fiction, situated as it is between traditional social realism and the psychological novel. It is recognized as a classic study of filial jealousy, triggered by one of the two brothers of its title finding himself the sole inheritor of the fortune of his mother's former lover. Pierre et Jean is set in Le Havre in the 1880s and is notable for its evocation of the Normandy coastline captured by the Impressionists. But Maupassant's greatest achievement is to have woven from this simple plot in a maritime context a brilliantly crafted exploration of the complexities at the heart of family life. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is a chilling compilation of the very b est in horror writing from the gothic terror of Edgar Allan Poe, to contemporary writers such as Leon Garfield and Susan Price. '

A selection of nine stories to appreciate the work of a great master of the short story in the 19th century. The themes dear to Maupassant are explored: family disunion, love of money, romantic disappointment, cruelty towards animals, and folly in all its forms.

A selection of Maupassant's brilliant, glittering stories set in the Parisian beau monde and Normandy countryside. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Guy de Maupassant (1850-1893). Maupassant's works available in Penguin Classics are A Parisian Affair and Other Stories, Bel-Ami and Pierre and Jean.

From Poe to Lovecraft-a unique zombiethology of the literary undead.Corpses rise in a variety of frightening ways in this collection of classic stories by an impressive lineup of authors Mary Shelley, Edgar Allan Poe, Washington Irving, H.P. Lovecraft, Guy de Maupassant, Mark Twain, Jack London, William Wyman Jacobs, Théophile Gautier, Charles Baudelaire, John H. Knox, Sir Hugh Clifford, Thomas Burke, Johann Wolfgang von Goethe, F. Marion Crawford, F.G. Loring, William Butler Yeats, Douglas Hyde, E.F. Benson, Lafcadio Hearn, Perceval Landon, E. and H. Heron, Amy Lowell, G.W. Hutter, and Sir Walter Scott.

The book is a reproduction of a historical work, presented in large print to enhance accessibility for readers with impaired vision. It is published by Megali, a publishing house dedicated to making historical texts more readable for those who may struggle with standard print sizes.

Maupassant, a prominent 19th-century French author, is celebrated for his mastery of the short story and his contributions to the Naturalist movement. His narratives often explore the futility of war, particularly during the Franco-Prussian War, highlighting the profound impact on innocent civilians. Known for his concise style and impactful conclusions, he authored around 300 short stories, six novels, and more. His acclaimed work "Boule de Suif" is frequently regarded as his masterpiece, showcasing his literary prowess and thematic depth.

Maupassant's works, known for their concise style and impactful conclusions, often explore the futility of war through the lens of civilians affected by the Franco-Prussian War. As a key figure in the Naturalist movement and a protégé of Flaubert, he crafted over 300 short stories, including the renowned "Boule de Suif," which is regarded as his masterpiece. His storytelling reflects profound themes of human experience and transformation amid chaos, making him a significant literary figure of the 19th century.

Focused on accessibility, this reproduction emphasizes the importance of making historical works available in large print for individuals with impaired vision. Published by Megali, it aims to enhance the reading experience for those who may struggle with standard text sizes, ensuring that valuable literature remains accessible to a wider audience.

This edition focuses on making historical works accessible by utilizing large print, catering specifically to individuals with impaired vision. Megali, the publishing house behind this initiative, aims to preserve the integrity of original texts while enhancing readability.

Focusing on accessibility, this publication is a reproduction of a historical work presented in large print format. The Megali publishing house aims to enhance reading experiences for individuals with impaired vision, ensuring that classic literature remains accessible to a wider audience.

This book is a reproduction of a historical work, published in large print to enhance accessibility for individuals with impaired vision. Megali, the publishing house behind this edition, focuses on making significant texts more readable, ensuring that important historical narratives are available to a wider audience.

The road grew swilder and drearier and more faintly traced, and vanished at length, leaving him in the heart of the dark wilderness... -Young Goodman Brown

Bel Ami unites a fantastic cast lead by Robert Pattinson alongside Uma Thurman, Christina Ricci and Kristin Scott Thomas in a lush period drama full of sexual intrigue, scandal and manipulation. It is an adaptation of the classic French novel of the same name by Guy de Maupassant, which was a literary power-keg of its time. In the tradition of Dangerous Liaisons, Bel Ami is an absorbing period film, weaving a web of conquest, ambition and conspiracy. The deliciously devious characters play a high-stakes game of passion and betrayal, keeping audiences charmed and captivated. Georges Duroy, is poor, young, attractive and very ambitious. Offered a job as a journalist in Paris, he soon learns that to make his way in the world he needs to use more than his brains. So he becomes an arch-seducer and social climber, using his looks and charm to bewitch a series of wealthy, influential society beauties and become one of the most successful men of the glittering 'beau monde' of 1890s Paris. His female admirers know him as 'Bel-Ami'- to their husbands, he is the enemy. This erotically charged tale of ambition, power and seduction is a dazzling portrayal of a world where sex is power, and celebrity is an obsession.

Maupassant's second novel, Bel-Ami (1885) is the story of a ruthlessly ambitious young man (Georges Duroy, christened "Bel-Ami" by his female admirers) making it to the top in fin-de-sihcle Paris. It is a novel about money, sex, and power, set against the background of the politics of the French colonization of North Africa. It explores the dynamics of an urban society uncomfortably close to our own and is a devastating satire of the sleaziness of contemporary journalism. Bel-Ami enjoys the status of an authentic record of the apotheosis of bourgeois capitalism under the Third Republic. But the creative tension between its analysis of modern behavior and its identifiably late nineteenth-century fabric is one of the reasons why Bel-Ami remains one of the finest French novels of its time, as well as being recognized as Maupassant's greatest achievement as a novelist. This new translation is complemented by fullest introduction and notes of any edition currently available.

Souborné vydání tří povídkových sbírek: Ďábel a jiné povídky, Milostná schůzka a jiné povídky a V rodině a jiné povídky obsahující desítky Maupassantových povídek.

Eines Nachts verlassen kostbare Möbel ein Herrenhaus: Schränke, Spiegel, Stühle, Betten – fassungslos beobachtet der Hausherr vom Park aus das seltsame Geschehen. Keine Diebe in Sicht. Monate später findet er Einzelstücke bei einem Händler in Rouen. Was ist passiert? Ein Jurastudent prahlt vor seinen Freunden mit dem Erwerb der abgeschlagenen, fachmännisch mumifizierten Hand eines Verbrechers – bis sie ihm an die Gurgel geht. Besitz macht offenbar nicht glücklich. Noch Übleres widerfährt dem Protagonisten in »Der Horla«, der von einem unerklärlichen Wesen gleichen Namens langsam besessen, ausgesaugt und seiner selbst enteignet wird. (Diese berühmte Geschichte in Tagebuchform regte Bram Stoker zu seinem Vampirroman »Dracula« an.) Doch was wäre ein Band mit Nocturnes von Maupassant ohne die Liebe? So kommt auf den Schwingen des Mondlichts die Leidenschaft über eine junge Frau: Clair de Lune. Unsere Auswahl klingt aus mit einer der bewegendsten Novellen, die Maupassant geschrieben hat: Das Kind. In der Hochzeitsnacht erfährt der Bräutigam, dass seine ehemalige Mätresse mit einem Kind niedergekommen ist und im Sterben liegt. Er bricht auf und kehrt noch in der gleichen Nacht mit dem Neugeborenen zu seiner Braut zurück ...