Arthur Miller Libri

Andato in scena a New York nel febbraio del '49 per la regia di Elia Kazan, Morte di un commesso viaggiatore costituisce forse il più clamoroso successo teatrale del dopoguerra - un successo che, dagli Stati Uniti, dilaga in tutto il mondo. Partendo dall'idea di descrivere, in chiave quasi comica, quanto si agita all'interno della testa di un uomo, Miller lavorò sin dall'inizio sull'ipotesi di restituire - non solo letterariamente, ma anche e soprattutto sul piano della scrittura scenica - il coesistere di presente e passato nella vita di un essere umano. Willy Loman, l'esausto commesso viaggiatore vittima di un sistema fondato sulle leggi inesorabili della produttività, è stato ed è non solo il rappresentante di un'America già percorsa dai primi brividi del maccarthismo, ma anche un eroe tragico di straordinaria efficacia.

Book by Amnesty International

"In this collected works, five of Arthur Miller's most-produced and popular plays are brought together in a new edition, alongside an exclusive introduction by Ivo van Hove, the celebrated contemporary director of Miller's works. All five plays were written by Miller within a ten-year period which began with his first Broadway hit, All My Sons, in 1947 which led Brooks Atkinson of the New York Times to state that 'theatre has acquired a genuine new talent.' This was followed in 1949 by his exploration of the American Dream in Death of a Salesman, which went on to win the Tony Award for Best Play and the Pulitzer Prize for Drama. The Crucible followed in 1953, produced during the McCarthy era and becoming a parable of the witch-hunting practices of a government determined to root-out Communists. A View from the Bridge, originally performed in 1955, concerns the lives of longshoremen in the Brooklyn waterfront and has remained one of Miller's most produced plays. Originally presented as a one-act companion piece to A Memory of Two Mondays, both plays explore the dreams and working lives of ordinary Americans in the early decades of the 20th century. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 1 is a must-have for theatre fans and students alike."--Back cover

"In 1920 Čapek wrote what was to become his most famous work, the play 'R.U.R. (Rossum's Universal Robots)', a meditation on the themes of humanity and subjugation that introduced the 'robot'. He was prolific throughout the 1920s, his plays addressing a range of subjects, although best remembered as a writer of early science fiction. Čapek also dealt with contemporary moral and political issues, including the rise of corporations and European fascism"-- "Determined to liberate the mass-produced but highly intelligent robots forged in the machinery of Rossum's island factory, Helena Glory arrives in a blaze of righteousness. Soon perplexed by the robots' seeming humanity but absolute lack of sentience, she deserts her strident campaigning and falls in love with Domin, the factory's General Manager. Yet even as their life on the island appears to become more comfortable, the tide is turning against the humans ... Drawing huge international attention following its original production in 1921, 'Rossum's Universal Robots' was a strikingly prescient meditation on the themes of humanity and subjugation that were to dominate the twentieth century. Seen as a precursor to works including Huxley's 'Brave New world', it is a true classic of the dystopian genre, and remains all too resonant"--

This book documents the making of the legendary film The Misfits (1961). Directed by the Hollywood auteur John Huston, it starred three of the most charismatic actors of all time - Marilyn Monroe, Clark Gable and Montgomery Clift. Its script was composed by Arthur Miller, one of America's greatest playwrights and Marilyn's husband. As part of the promotional strategy for the film, the Magnum photographic agency was given exclusive access to the shoot. Nine of its most famous photographers - including Henri Cartier-Bresson, Eve Arnold and Elliott Erwitt - covered the production, both on and off the set. 200 of their pictures are reproduced in rich duotone, providing both a fascinating documentary of the making of a film and an intimate portrait of its stars. The photographs are paralleled with an essay by the Editor-in-Chief of the established film magazine Cahiers du cinéma , Serge Toubiana, in which he recounts the tragic and triumphant story of the film that was to become Monroe and Gable's swansong. The book also contains a revealing interview between Toubiana and Arthur Miller, in which Miller discusses the making of the film, the troubled relationships between the stars (including his own with Monroe) and the fascinating background to the photographs.

Set against the backdrop of the 1970s, the narrative explores the activism of Rabbi Meir Kahane and the Jewish Defense League as they confront Soviet officials to advocate for the rights of Soviet Jews. Their aggressive tactics aim to spotlight the struggle for freedom and human rights, reflecting the intense political climate of the era. The book delves into themes of activism, identity, and the complexities of Jewish life under oppression.

"The greatest American dramatist of our age" Evening Standard This fifth volume of Arthur Miller's work contains two plays from the early nineties: his highly acclaimed The Last Yankee (1993), which the Guardian called "a fine and moving play . . . Like all Miller's best work, it effortlessly links private and public worlds by connecting personal desperation to insane American values"; and The Ride Down Mount Morgan (1991), which explores themes of bigamy and betrayal, described as "searching, scorching, harsh but compassionate" (Sunday Times). Also contained in the volume is Almost Everybody Wins, the original version of the screenplay Arthur Miller wrote for Karel Reisz's film, "Everybody Wins".

Written in 1945, Focus was Arthur Miller's first novel and one of the first books to directly confront American anti-Semitism. It remains as chilling and incisive today as it was at the time of its controversial debut. As World War II draws to a close, anti-Semitism is alive and well in Brooklyn, New York. Here, Newman, an American of English descent, floats through a world of multiethnic neighborhoods indifferent to the racism around him. That is, until he begins wearing glasses that render him "Jewish" in the eyes of others, making him the target of anti-Semitic persecution. As he and his wife find friendship and support from a Jewish immigrant, Newman slowly begins to understand the racial hatreds that surround him. "A strong, sincere book bursting with indignation." (The New York Times Book Review)