Ottessa Moshfegh Ordine dei libri (cronologico)

<hanno detto che ho fatto qualcosa di sbagliato?... E mi hanno lasciato qui a morire di fame. Non ho avuto una goccia da giorni, ancor di più...> Salem, Massachusetts, 1851: McGlue è nella stiva, ancora troppo ubriaco per essere sicuro del suo nome, della sua situazione o della sua orientazione – potrebbe aver ucciso un uomo. Quell'uomo potrebbe essere stato il suo migliore amico. Ora, McGlue desidera una sola cosa: un drink. Perché per McGlue, insopportabili e terrificanti ricordi accompagnano la sobrietà. Navigando nei mari alti della tradizione letteraria, Ottessa Moshfegh ci offre un indimenticabile mascalzone in un viaggio affilato come un coltello attraverso le nebbie della memoria.

Welcome to Lapvona. In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself at the centre of a power struggle that puts all manner of faith to a savage test . . . Discover the Sunday Times bestselling novel from the author of TikTok sensation My Year of Rest and Relaxation. 'One of the most provocative reads of the year' i NEWSPAPER 'Disturbingly funny' OBSERVER, BOOKS OF THE YEAR 'An addictive read . . . with a chequered cast of misfits, despots and unholy souls' THE FACE 'One of America's most exciting - and most provocative - young novelists' FINANCIAL TIMES 'Lapvona deserves all the hype it's received and more' i-D 'Brace yourselves' STYLIST

While on her daily walk with her dog in the woods near her home, Vesta comes across a chilling handwritten note. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, Vesta is also alone, and new to the area, having moved here after the death of her husband. Her brooding about the note grows quickly into a full-blown obsession- who was Magda and how did she meet her fate?

L'esperimento di "ibernazione" narcotica di una giovane donna, aiutata e incoraggiata da una delle peggiori psichiatre della storia. New York, all'alba del nuovo millennio. La protagonista gode di molti privilegi, almeno in apparenza. È giovane, magra, carina, da poco laureata alla Columbia e vive, grazie a un'eredità, in un appartamento nell'Upper East Side di Manhattan. Ma c'è qualcosa che le manca, c'è un vuoto nella sua vita che non è semplicemente legato alla prematura perdita dei genitori o al modo in cui la tratta il fidanzato che lavora a Wall Street. Afflitta, decide di lasciare il lavoro in una galleria d'arte e di imbottirsi di farmaci per riposare il più possibile. Si convince che la soluzione sia dormire un anno di fila per non provare alcun sentimento e forse guarire. Tra flashback di film anni '80 - Mickey Rourke in "9 settimane e 1/2" e Whoopi Goldberg -, dialoghi surreali e spassosi, descrizioni di una New York patetica e scintillante, il libro ci spinge a chiederci se davvero si può sfuggire al dolore, mettendo a nudo il lato più oscuro e incomprensibile dell'umanità.

There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous while also being delightful - and often even weirdly hilarious. Her characters are all unsteady on their feet; all yearning for connection and betterment, in very different ways, but each of them seems destined to be tripped up by their own baser impulses. What makes these stories so moving is the emotional balance that Moshfegh achieves - the way she exposes the limitless range of self-deception that human beings can employ while, at the same time, infusing the grotesque and outrageous with tenderness and compassion. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful, but beauty comes from strange sources, and the dark energy surging through these stories is oddly and powerfully invigorating. One of the most gifted and exciting young writers in America, she shows us uncomfortable things, and makes us look at them forensically - until we find, suddenly, that we are really looking at ourselves.

VINTAGE CLASSICS' AMERICAN GOTHIC SERIESSpine-tingling, mind-altering and deliciously atmospheric, journey into the dark side of America with nine of its most uncanny classics.*SHORTLISTED FOR THE MAN BOOKER PRIZE***FROM THE AUTHOR OF TIKTOK SENSATION MY YEAR OF REST AND RELAXATION**Trapped between caring for her alcoholic father and her job as[Bokinfo].

The debut novella from one of contemporary fiction's most exciting young voices, now in a new edition. Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation--he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection. They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.