Joseph Cornell created a poetic theatre of memory from his fantasies. This volume probes Cornell's imagery in his earliest Surrealist-inspired collages of the 1930s, his box constructions of the 1940s and 1950s, his experimental films, and his final collages in his last years.
Guilt mingles with relief, leaving Drizzt uniquely vulnerable to the persuasions of his newest companion--Dahlia, a darkly alluring elf and the only other member of their party to survive the cataclysm at Mount Hotenow. But traveling with Dahlia is challenging in more ways than one. As the two companions seek revenge on the one responsible for leveling Neverwinter--and nearly Luskan as well--Drizzt finds his usual moral certainty swept away by her unconventional views. Forced to see the dark deeds that the common man may be driven to by circumstance, Drizzt begins to find himself on the wrong side of the law in an effort to protect those the law has failed. Making new enemies, as his old enemies acquire deadly allies, Drizzt and Dahlia quickly find themselves embroiled in battle--a state he's coming to enjoy a little too much.
Featuring more than 100 works, including Baselitz's paintings, wood sculptures and engravings, this monograph offers a view of his oeuvre, as well as an insight into the subtle changes that have come to his work as he has matured
Published to coincide with a major exhibition to tour both the US and Europe, this volume offers a survey of Kelly's paintings, sculptures, works on paper and photographs. The catalogue spans five decades, beginning in the late 1940s.
Ohne nostalgischen Ton und mit großer Begeisterung erinnert sich der heute weit über achtzigjährige Künstler an sein Leben, seine Arbeit und Begegnungen mit Lehrern und Künstlerkollegen, so an Max Beckmann, Brancusi, Léger und Vantongerloo, den er zeitweise wöchentlich in Paris besuchte, um ihm beim Malen zuzusehen. Mittelpunkt des Buches ist eine Reihe von übermalten und collagierten Postkarten aus den Jahren 1949 - 1984, die er erstmals aus seinem Archiv zur Veröffentlichung freigibt. Anhand dieser „Erinnerungen“ erörtert er sein künstlerisches Credo und seine Entwicklung als ein „künstlerisches Manifest“. Er spricht über sein Interesse an Architektur, über Maler, die ihn beeinflusst haben bis hin zu seinem Entwurf für das World Trade Center. Ellsworth Kelly, born 1923 in Birth Newburgh, NY, USA. Lives and works in upstate New York. Hans Ulrich Obrist, born in 1968 in Zurich, Switzerland. Lives and works in London. Es ist die positive Haltung des großen Einzelgängers in der Kunst der letzten 70 Jahre, die das kleine Buch zu einer großen Lesereise macht.
