Angela Davis è un'acclamata attivista, studiosa e autrice il cui lavoro approfondisce temi di femminismo, giustizia razziale e oppressione sistemica. La sua scrittura, informata dalla storia e dalla teoria, esplora le intersezioni dei movimenti sociali e i fondamenti filosofici dell'ingiustizia. Davis è caratterizzata dal suo acuto intelletto e da un impegno incrollabile nell'esaminare e sfidare le strutture di potere, offrendo ai lettori una lente provocatoria attraverso cui comprendere la lotta per la liberazione.
Over the last generation, the U.S. prison systems have grown at a rate unparalleled in history, creating what many call a Prison Industrial Complex. Angela Davis explains what happens to our legal system when we lock up more people for longer sentences, which industries are a part of the Prison Industrial Complex, and how to stop or slow prison growth.
In this classic work the famous communist activist, who was jailed for her beliefs, brings her passion and scholarship to confront three major crucial issues of feminism: women, race and class.
With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.
Revelations about US policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Graib prison story in April 2004. It is within this context that African-American intellectual Angela Davis gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics and prison. She talks about her own incarceration as well as her experience as 'enemy of the state' and about having been put on the FBI's most wanted list. Davis returns to her critique of a democracy that has been compromised by its racist origins.
First and only book of speeches on racism, community, freedom, and politics in the U.S. by international icon Angela Davis.
From the Author of WOMEN, RACE AND CLASS, this is a timely provocation that examines the concept of attaining freedom in light of our current world conflicts In these newly collected essays, interviews and speeches, world-renowned activist and scholar Angela Y. Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world. Reflecting on the importance of black feminism, intersectionality and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyses today's struggles against state terror, from Ferguson to Palestine. Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that 'Freedom is a constant struggle.'
Edited by Toni Morrison and first published in 1974, An Autobiography is a classic of the Black Power era which resonates just as powerfully today. It is reissued now with a new introduction by Davis, for a new audience inspired and galvanised by her ongoing activism and her extraordinary example. In the book, she describes her journey from a childhood on Dynamite Hill in Birmingham, Alabama, to one of the most significant political trials of the century- from her political activity in a New York high school to her work with the U.S. Communist Party, the Black Panther Party, and the Soledad Brothers; and from the faculty of the Philosophy Department at UCLA to the FBI's list of the Ten Most Wanted Fugitives. Told with warmth, brilliance, humour, and conviction, it is an unforgettable account of a life committed to radical change.
The narrative unfolds against a backdrop of relentless time, where urgency and suspense drive the plot forward. Characters are faced with critical choices as they navigate through challenges that test their resolve. Themes of fate, consequence, and the passage of time are intricately woven into the storyline, creating a gripping atmosphere. As the clock ticks down, the tension escalates, leading to unexpected twists that keep readers on the edge of their seats.
A collection of speeches and writings by political activist Angela Davis which address the political and social changes of the past decade as they are concerned with the struggle for racial, sexual, and economic equality.
From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith—published here in their entirety for the first time—Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.