Victor Davis Hanson Ordine dei libri

A New York Times-bestselling historian charts how and why societies from ancient Greece to the modern era chose to utterly destroy their foes, and warns that similar wars of obliteration are possible in our time

The New York Times bestselling author of The Case for Trump explains the decline and fall of the once cherished idea of American citizenship. Human history is full of the stories of peasants, subjects, and tribes. Yet the concept of the "citizen" is historically rare-and was among America's most valued ideals for over two centuries. But without shock treatment, warns historian Victor Davis Hanson, American citizenship as we have known it may soon vanish. In The Dying Citizen, Hanson outlines the historical forces that led to this crisis. The evisceration of the middle class over the last fifty years has made many Americans dependent on the federal government. Open borders have undermined the idea of allegiance to a particular place. Identity politics have eradicated our collective civic sense of self. And a top-heavy administrative state has endangered personal liberty, along with formal efforts to weaken the Constitution. As in the revolutionary years of 1848, 1917, and 1968, 2020 ripped away our complacency about the future. But in the aftermath, we as Americans can rebuild and recover what we have lost. The choice is ours.

Part history, part political analysis and part memoir, Mexifornia is an intensely personal work by one of our most important writers. Hanson is perhaps best known for his military histories and especially his social commentary about America and its response to terror after 9/11, but he is also a fifth-generation Californian who runs a family farm in the Central Valley and has written eloquent elegies on the decline of the small farm, Fields Without Dreams and The Land Was Everything. Like those books, Mexifornia ponders what has changed in California over the last quarter-century. This time, Hanson's concern is how the state, the Southwest more broadly, and indeed the entire nation have been altered by America's hemorrhaging borders, and how our disordered immigration policies are perhaps most harmful to the Mexican immigrants who come seeking a better life.

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Victor Davis Hanson has long been acclaimed as one of our leading scholars of ancient history. In recent years he has also become a trenchant voice on current affairs, bringing a historian's deep knowledge of past conflicts to bear on the crises of the present, from 9/11 to Iran. "War," he writes, "is an entirely human enterprise." Ideologies change, technologies develop, new strategies are invented?but human nature is constant across time and space. The dynamics of warfare in the present age still remain comprehensible to us through careful study of the past. Though many have called the War on Terror unprecedented, its contours would have been quite familiar to Themistocles of Athens or William Tecumseh Sherman. And as we face the menace of a bin Laden or a Kim Jong-Il, we can prepare ourselves with knowledge of how such challenges have been met before.The Father of Us All brings together much of Hanson's finest writing on war and society, both ancient and modern. The author has gathered a range of essays, and combined and revised them into a richly textured new work that explores such topics as how technology shapes warfare, what constitutes the "American way of war," and why even those who abhor war need to study military history. "War is the father and king of us all," Heraclitus wrote in ancient Greece. And as Victor Davis Hanson shows, it is no less so today.

The book explores President Obama's influence on U.S. foreign policy, highlighting a shift towards a therapeutic approach rooted in victimhood and reminiscent of Jimmy Carter's ideology. It argues that under Obama's leadership, the United States has moved away from its traditional role as a defender of the postwar order, instead embracing a perspective that challenges established systems of defense, values, alliances, and global interests.

The Greeks of the classical age invented not only the central idea of Western politics—that the power of state should be guided by a majority of its citizens—but also the central act of Western warfare, the decisive infantry battle. Instead of ambush, skirmish, or combat between individual heroes, the Greeks of the fifth century B.C. devised a ferocious, brief, and destructive head-on clash between armed men of all ages. In this bold, original study, Victor Davis Hanson shows how this brutal enterprise was dedicated to the same outcome as consensual government—an unequivocal, instant resolution to dispute. Linking this new style of fighting to the rise of constitutional government, Hanson raises new issues and questions old assumptions about the history of war. A new preface addresses recent scholarship on Greek warfare.

What does it mean to turn one of the great graphic novels of our time into a major motion picture? In 1998, Frank Miller shook the comics world with his groundbreaking series 300. Marking Miller’s first collaboration with watercolor artist Lynn Varley (Ronin, The Dark Knight Returns) in over a decade, 300 was a gritty reimagining of a battle in which 300 Spartan soldiers fought to hold back the entire Persian army. The series won five Eisner Awards, including Best Limited Series, Best Writer/Artist (Miller) and Best Colorist (Varley).300: The Art of the Movie takes you behind the scenes as director Zack Snyder (Dawn of the Dead) adapts 300 to the silver screen. With 200 pages of production photos, concept art and much, much more, 300: The Art of the Movie is sure to delight Miller fans and movie buffs alike.