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John House

    19 aprile 1945 – 7 febbraio 2012

    John House fu il decano degli storici dell'impressionismo. Lungi dall'essere superficiali o compiacenti, gli impressionisti furono rivelati negli scritti di House come acuti osservatori del cambiamento sociale. Invece di essere un movimento autonomo, furono mostrati come abili negoziatori di convenzioni e istituzioni artistiche. House svolse un ruolo essenziale nel trasformare lo studio accademico di questo periodo e presiedette allo sviluppo del suo apprezzamento pubblico attraverso le spettacolari mostre da lui curate.

    Impressionist Masterpieces
    Getty Museum Studies on Art: Pierre-Auguste Renoir
    Monet. Nature Into Art
    Monet
    The Courtauld Cézannes
    Renoir Landscapes, 1865-1883
    • The Courtauld Cézannes

      • 128pagine
      • 5 ore di lettura

      Highlighting the first-ever exhibition of Paul Czanne's complete collection at The Courtauld Gallery, this catalogue celebrates the 75th anniversary of The Courtauld Institute of Arts. It features an exceptional array of seminal paintings, alongside rarely seen drawings and watercolors, showcasing the breadth of Czanne's artistic evolution throughout his career. The collection's significance is underscored by its quality and diversity, offering a comprehensive insight into one of the most influential artists in art history.

      The Courtauld Cézannes2020
      4,0
    • Renoir Landscapes, 1865-1883

      • 302pagine
      • 11 ore di lettura

      This stunning book, published to accompany a major touring exhibition, examines Renoir's landscape art in depth, demonstrating that he was one of the most audacious and original landscape artists of his age.

      Renoir Landscapes, 1865-18832007
      4,5
    • Getty Museum Studies on Art: Pierre-Auguste Renoir

      La Promenade

      • 96pagine
      • 4 ore di lettura

      John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.

      Getty Museum Studies on Art: Pierre-Auguste Renoir1997
      3,2
    • Analyzes the career of the artist responsible for the public image of Impressionism, focusing on the evolution in Monet's painting technique and execution and relating it to his ideas, experiences, and the contexts in which he worked

      Monet. Nature Into Art1986
      4,0