Max Baumann Libri

Triest war im 19. Jahrhundert ein wichtiger Handelsplatz und für junge Schweizerinnen und Schweizer ein potenzieller Arbeitsort. Vielen diente die Stadt als Durchgangsstation, einige liessen sich dort als Kaufleute nieder, wie Gabriel Schwarz aus Villigen: Sein älterer Cousin Isaak engagierte ihn, und so verbrachte der Schweizer einen grossen Teil des Lebens in Triest. Der Kontakt zu seiner Heimat riss nie ab; insgesamt 179 Briefe aus über vierzig Jahren – davon 85 direkt aus Triest – bezeugen diesen Austausch. Die Briefe geben Einblick in das Leben und den Beruf der Aargauer Kaufleute in Triest in Zeiten von Konjunkturen und Krisen, von Krieg und Frieden, von geschäftlichem Erfolg, aber auch Misserfolg. Dem Autor gelingt es, anhand der Quellen nahe an den Alltag und die Personen heranzukommen. Er schreibt ein Stück wenig bekannte Aargauer und Schweizer Auswanderungsgeschichte, die nicht nach Übersee führte, sondern Teil einer mehr und mehr globalen Wirtschaft war.

Ernst Schwitters (1918-1996) began his distinguished career in photography in his teens, converting the family bathroom into a darkroom with the consent of his parents, Kurt and Helma Schwitters, at the age of 15--by which time Ernst was already experimenting with photograms, following a visit from family friend Man Ray. His father encouraged him to undergo formal training in photography, but Ernst declined, preferring to teach himself, and by 1930 he was already participating in international exhibitions, having found his preferred subject matter in the landscapes of Norway and England. Having led the Schwitters family's migration from Nazi Germany to Norway, Ernst was to receive great acclaim there for both his landscape and architectural photography, and was also able to establish financial security through assignments for the Norwegian advertising agency SS-UNU-Foto. It is little known that Schwitters is one of color photography's pioneers: he began working with color film in 1943, and within two decades, he had created more than 10,000 slides, many of which have been digitally restored for this handsome new volume. The only monograph on the photographer currently in print, The Colors of Norwaydebuts Schwitters' vast oeuvre of color landscape photography, and also includes a fascinating account of the digital restoration process that allowed for their publication here.