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Raymond Loewy

    Raymond Loewy fu uno dei più celebri designer industriali del XX secolo. La sua carriera, durata sette decenni, ha influenzato profondamente innumerevoli aspetti della vita moderna in Nord America. Tra i suoi contributi iconici che hanno plasmato il panorama visivo si annoverano il logo Shell, l'autobus Greyhound, la locomotiva S-1, il pacchetto Lucky Strike, i frigoriferi Coldspot e la Studebaker Avanti. Il suo lavoro rappresenta una sintesi di arte, tecnologia e vita quotidiana.

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    Raymond Loewy
    Never Leave Well Enough Alone
    • Never Leave Well Enough Alone

      • 488pagine
      • 18 ore di lettura

      Between the 1930s and the 1960s, Raymond Loewy's streamlined designs for thousands of consumer goods―everything from toasters and refrigerators to automobiles and ocean liners―radically changed the look of American life. Regarded as the father of modern industrial design, he appeared on the cover of Time in 1949; in 1990, he was selected as one of Life 's "100 Most Important Americans of the 20th Century." Whether they realized it or not, Americans at mid-century lived in a Loewy-designed world, from the cigarettes they smoked (Lucky Strike's packaging), the soda they drank (the restaurant Coca-Cola dispenser), the toothpaste they used (Pepsodent's toothpaste tube), the cars they drove (his organization was Studebaker's design and styling department), the buses (Greyhound) and trains (the Pennsylvania Railroad) in which they rode, and the department stores (Gimbel's, Foley's, and Lord & Taylor) and grocery stores (Lucky) where they shopped. Never Leave Well Enough Alone was first published in 1951 at the height of Loewy's career. His company, Raymond Loewy Associates, served as design consultants to more than a hundred of the world's largest corporations, and products manufactured to their specifications sold in excess of $3 billion annually. Written and designed by Loewy, this profusely illustrated book is part autobiography and part design manifesto. Acclaimed for its wit, its idiosyncracies, and its insight into the Loewy aesthetic, this volume stands as a remarkable document of the American Century and a still-vital meditation upon the importance of industrial design in daily life.

      Never Leave Well Enough Alone
    • La laideur se vend mal

      • 414pagine
      • 15 ore di lettura

      "Il faut être une oeuvre d'art ou en porter une", disait Oscar Wilde. Raymond Loewy (1893-1986), tenu pour le fondateur du design industriel, a fait sien cet aphorisme. Depuis la plus tendre enfance, il rêve de locomotives, d'automobiles, de navires. Âgé de quinze ans, "il donne son coeur à douze magnifiques créatures" : ce sont douze locomotives d'un entrepôt du P.L.M. Il quitte l'Europe pour New York entre les deux guerres. Ses premières impressions, nous les trouvons dans ce livre écrit trente ans plus tard. "On fabriquait à tort et à travers ascenseurs, moulins à café, grues mécaniques, etc, avec pour seule préoccupation que "ça marche". Quand vint l'ère de la production en masse, le pays fut inondé de produits souvent de bonne qualité, mais disgracieux et coûteux." Raymond Loewy, d'abord étalagiste, crée bientôt une profession : celle d' "esthéticien industriel", et entreprend une croisade contre la laideur, le bruit, l'encombrement, le gâchis en matières premières et en main-d'oeuvre. Son principe ? Donner à toute chose une apparence parfaite liée à un fonctionnement parfait. Son idée fixe ? L'harmonie, qu'il s'agisse d'une locomotive, du mariage, d'une boîte de conserve ou des rapports humains.

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