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Harun Farocki

    9 gennaio 1944 – 30 luglio 2014

    Harun Farocki è stato un teorico dei media e regista fondamentale, il cui vasto corpus di opere offre un esame critico della cultura visiva. I suoi film approfondiscono la complessa interazione tra immagini, tecnologia e società, esplorando come le nostre percezioni siano modellate dai media. L'approccio di Farocki è caratterizzato da uno stile acuto e analitico che spinge gli spettatori a mettere in discussione la natura costruita della realtà presentata attraverso vari mezzi. I suoi contributi intellettuali hanno influenzato in modo significativo il discorso sulla teoria dei media e sull'alfabetizzazione visiva.

    Kino wie noch nie / Cinema Like Never Before
    Harun Farocki. Lerne das Einfachste! Texte 2001-2014. Schriften. Band 6.
    Harun Farocki. Eine indexikalische Spur. Nachträge, Register, Bibliografie. Schriften. Band 7
    Labour in a Single Shot
    Harun Farocki
    • Das Register von Gerti Fietzek bietet eine umfassende Erschließung von Harun Farockis Textproduktion und reflektiert seine Faszination für Wörterbücher und Bildsammlungen. Neben dem Register werden zusätzlich 30 bisher unveröffentlichte Texte präsentiert, darunter Kurztexte zu Farockis Filmen und Filmkritiken aus den Jahren 1980 und 1981. Ein Nachwort von Volker Pantenburg rundet den Band ab und vertieft das Verständnis von Farockis Werk.

      Harun Farocki. Eine indexikalische Spur. Nachträge, Register, Bibliografie. Schriften. Band 72024
    • Labour in a Single Shot

      Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project

      • 410pagine
      • 15 ore di lettura

      This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and video-maker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.

      Labour in a Single Shot2021
      2,0
    • Harun Farocki

      Diagrams

      • 384pagine
      • 14 ore di lettura

      This publication attempts to map the visual approach of one of Germany's foremost documentary filmmakers, Harun Farocki (born 1944). Unlike other, more theoretical publications on his work, Diagrams looks at still images to trace specific movements and patterns in ten Farocki films.

      Harun Farocki2014
      3,5
    • "Compiles artistic and analytical practices that expand thought on cinema ... thematizes archetypes and recurring patterns in film history ... with contributions from cultural history, philosophy, and film theory"--Blurb.

      Kino wie noch nie / Cinema Like Never Before2006