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"His masters were Bellini and Giorgione, his rivals Michelangelo and Raphael. As you can see, he managed to combine the power of the former and the gentleness of the latter." This is how Vladimir Nabokov expressed his appreciation for Sebastiano del Piombo (ca. 1485-1547) in one of his short stories.During his lifetime, painter Sebastiano del Piombo was considered, along with Giorgione, the great hope of the Venetian School. Sebastiano later became Raphael's biggest competitor in Rome--he was, in fact, the only Renaissance artist capable of painting in the style of both the Venetian and the Central Italian Schools, taking cues from Giorgione, Da Vinci and Michelangelo to create a uniquely discerning and colorful style. The resourceful Venetian was the first to discover a technique that enabled him to paint with oils on stone. He and his close friend Michelangelo fell out over this, as the latter thought this technique was only something for “women and lazybones like Sebastiano.” This is why Giorgio Vasari, in his Lives of the Artists, denounced him posthumously as having been lazy, which resulted in centuries of disrespect for Sebastiano del Piombo’s work. The rediscovery of this unique portraitist is long overdue.
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Sebastiano del Piombo, Kia Vahland
- Lingua
- Pubblicato
- 2008
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