Han Kang Libri

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

Compulsively readable, universally relevant and deeply resonant... It lacerates, it haunts, it dreams, it mourns... 'Human Acts' is, in equal parts, beautiful and urgent.-New York Times Book Review Human Acts is unique in the intensity and scale of this brutality... [T]he novel details a bloody history that was deliberately forgotten and is only now being recovered.-The Nation [Han Kang's] new novel, Human Acts, showcases the same talent for writing about corporeal horrors, this time in the context of the 1980 Gwangju uprising.-TIME Magazine Han Kang's Human Acts speak the unspeakable. -Vanity Fair The long wake of the killings plays out across the testimonies of survivors as well as the dead, in scenarios both gorily real and beautifully surreal.-Vulture Human Acts is stunning. Book reviews evaluate how well a book does what it sets out to do, and so we sometimes write nice things about books that perfectly fulfill trivial aims. Otherwise, we'd always be complaining that romance novels or political thrillers fail to justify the ways of God to men. But Han Kang has an ambition as large as Milton's struggle with God: She wants to reconcile the ways of humanity to itself.-NPR.org Engrossing... The result is torturously compelling, a relentless portrait of death and agony that never lets you look away. Han's prose-as translated by Deborah Smith-is both spare and dreamy, full of haunting images and echoing language. She mesmerizes, drawing you into the horrors of Gwangju; questioning humanity, implicating everyone... Unnerving and painfully immediate.-Los Angeles Times Revelatory ... nothing short of breathtaking... In the end, what Han has re- created is not just an extraordinary record of human suffering during one particularly contentious period in Korean history, but also a written testament to our willingness to risk discomfort, capture, even death in order to fight for a cause or help others in times of need.-San Francisco Chronicle But where Kang excels is in her unflinching, unsentimental descriptions of death. I am hard pressed to think of another novel that deals so vividly and convincingly with the stages of physical decay. Kang's prose does not make for easy reading, but there is something admirable about this clear-eyed rendering of the end of life.-Boston Globe Absorbing... Han uses her talents as a storyteller of subtlety and power to bring this struggle out of the middle distance of 'history' and into the intimate space of the irreplaceable human individual.-Minneapolis Star-Tribune Kang explores the sprawling trauma of political brutality with impressive nuance and the piercing emotional truth that comes with masterful fiction... a fiercely written, deeply upsetting, and beautifully human novel.-Kirkus Reviews Kang is an incredible storyteller who raises questions about the purpose of humanity and the constant tension between good and evil through the heartbreaking experiences of her characters. Her poetic language shifts fluidly from different points of view, while her fearless use of raw, austere diction emulates the harsh conflicts and emotions raging throughout the plot. This jarring portrayal of the Gwangju demonstrations will keep readers gripped until the end.-Booklist (starred) With Han Kang's The Vegetarian awarded the 2016 Man Booker International Prize, her follow-up will garner extra scrutiny. Bottom line? This new work, again seamlessly translated by Deborah Smith, who also provides an indispensable contextual introduction, is even more stupendous.-Library Journal (starred) Pristine, expertly paced, and gut-wrenching... Human Acts grapples with the fallout of a massacre and questions what humans are willing to die for and in turn what they must live through. Kang approaches these difficult and inexorable queries with originality and fearlessness, making Human Acts a must-read for 2017.-Chicago Review of Books Though her subject matt

Sixty-five short interconnected chapters portray humanity and all its suffering and resiliency.

A powerful novel of the saving grace of language and human connection, from the celebrated author of The VegetarianIn a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight.Soon they discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages.Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish - the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to one another. Slowly the two discover a profound sense of unity - their voices intersecting with startling beauty, as they move from darkness to light, from silence to expression.Greek Lessons is a tender love letter to human intimacy and connection, a novel to awaken the senses, vividly conjuring the essence of what it means to be alive.PRAISE FOR THE VEGETARIAN:'Sensual, provocative and violent, ripe with potent images, startling colours and disturbing questions. Sentence by sentence, The Vegetarian is an extraordinary experience' Guardian'A startling new novel... It is written in cool, still, poetic but matter-of-fact short sentences, translated luminously by Deborah Smith, who is obviously a genius' Deborah Levy'Enthralling... It has a surreal and spellbinding quality, especially in its passage on nature and the physical landscape, so beautiful and so magnificently impervious to the human suffering around it' Independent

First published in Korean in 2011 by Munhakdongne.

Inah has been having nightmares. Nightmares of fish bones, fractals, and a marriage that ended under some unnamed violence. Walking the night streets with a man she has known for years, whose feelings for her are bound up with his intense longing to live as a woman, the fragile bond of their relationship threatens to shatter. Internationally acclaimed author Han Kang directs her unflinching gaze on the painful complexities of damage and recovery, questioning what it is we want from ourselves and each other, and whether there are some things that are truly irreparable. From the Yeoyu collection, a selection of eight short stories translated from Korean, in collaboration with publisher-activist and translation trailblazer, Deborah Smith, and featuring writers such as Han Kang and Bae Suah, among others less familiar to an English-speaking audience. ​여유, Yeoyu, means something like 'scope' and/or 'relaxed' in English; scope to be yourself, to follow your own interests. In some ways it means the opposite of being constrained by convention, more to be unbounded in such a way. In a sense, it means to be oneself but with enough 'left over' -- for others, maybe. It is intended to capture the diverse range of themes and styles the series, and Korean literature far more widely, has to offer the curious reader and also to say something figurative and fun about the act and process of translation.

Románová novinka nositelky Nobelovy ceny za literaturu Han Kang se podobně jako její próza Kde kvete tráva zabývá skutečnými historickými událostmi. Tentokrát se vrací až k počátkům Korejské republiky, k masakrům, které se odehrály za vlády prvního prezidenta I Sungmana – ke krvavému potlačení povstání na ostrově Čedžu. Mladémuspisovateli Kjonghaovi jednoho zimního dne zavolá kamarádka Inson, která se ocitla v nemocnici v Soulu. Poprosí ho, aby zajel do jejího rodného domu na ostrov Čedžu a postaral se tam o papouška. Když se Kjongha navzdory silné sněhové bouři dostane do horské vesnice, odhalí tam bolestnou historii Insoniny rodiny poznamenané Čedžuským povstáním. Děj se vrací zpět v čase prostřednictvím vzpomínek, záznamů a dalších materiálů, které po celý život shromažďovala Insonina matka v marném pátrání po svém zmizelém bratrovi.