John Cheever fu un romanziere e scrittore di racconti americano la cui narrativa esplorava spesso le vite di coloro che abitavano l'Upper East Side di Manhattan, i sobborghi di Westchester e gli antichi villaggi del New England. La sua opera approfondisce principalmente la dualità della natura umana, drammatizzando frequentemente la disparità tra la decorosa persona sociale di un personaggio e la sua corruzione interiore. Molte delle sue narrazioni esprimono una commovente nostalgia per uno stile di vita in via di estinzione, segnato da durature tradizioni culturali e un profondo senso di comunità, in contrasto con il nomadismo alienante della moderna periferia. La scrittura di Cheever esamina magistralmente la tensione tra le apparenze esteriori e le realtà interiori, spesso con una sottile corrente di malinconia.
"Falconer" è il racconto di un uomo che sopravvive all'inferno. Farragut, quarantottenne professore universitario, genitore amorevole e marito fin troppo mansueto, viene condannato per avere ucciso il fratello e in un giorno di fine estate si ritrova nel carcere di "Falconer". Qui perde la sua identità per assumere quella del prigioniero 734-508-32 e sprofondare negli abissi di una solitudine abitata solo dai rimorsi della dipendenza dall'eroina e di una dolorosa e lacerante omosessualità.
These stories from the pen of American award-winning novelist John Cheever show the power and range of one of the finest short story writers of the century.
The American writer, John Cheever, died in 1982, leaving behind 29 loose-leaf notebooks begun in the late Forties. They form the content of this book. His commitment to them was of central importance to his life - as a workbook and a retreat, an unhindered act of self-revelation where he could explore his ambiguities. He loved his wife and their children, but was acutely lonely; he loved women, but he also loved men; he hated himself for his drinking, but for much of his life was dependent upon it; he was a great writer, but one whose acute levels of perception often crippled him as a person.
Selected and Introduced by Booker-Prize winner Julian Barnes 'Reading Cheever is a restless pleasure, the work never settles- these brilliant stories make me get up and walk around the room' Anne Enright John Cheever - the 'Chekhov of the suburbs' - forever altered the landscape of contemporary literature. In a career that spanned nearly fifty years, his short stories, often published in the New Yorker, gave voice to the repressed desires and smouldering disappointments of 1950s America as it teetered on the edge of spiritual awakening and sexual liberation in the ensuing decades. Selected for the first time, these satirical, fantastical, sad and transcendent stories show Cheever in all his brilliance and continue to speak directly to the heart of human experience. Winner of the Pulitzer Prize and the National Book Award
Eliot Nailles loves his wife and son to distraction; Paul Hammer is a bastard named after a common household tool. Neighbours in Bullet Park, the two become fatefully linked by the mysterious binding power of their names in Cheever's sharp and funny hymn to the dubious normality of the American suburbs.
John Cheever understood fallibility and that made for the greatness in his writing The Times
Meet the Wapshots of St Botolphs. There is Captain Leander Wapshot, venerable sea-dog and would-be suicide; his licentious older son, Moses; and Moses's adoring and errant younger brother, Coverly. Tragic and funny, ribald and splendidly picaresque, and partly based on Cheever's adolescence in New England, The Wapshot Chronicle is a family narrative in the finest traditions of Trollope, Dickens, and Henry James
Stunning and brutally powerful, Falconer tells the story of a man named Farragut, his crime and punishment, and his struggle to remain a man in a universe bent on beating him back into childhood. Only John Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral imagination.
