William Somerset Maugham ha creato una prosa rinomata per la sua chiarezza e precisione, uno stile talvolta notato per la sua apparente semplicità, ma capace di profonde osservazioni. Nonostante le prime critiche per il suo stile sobrio in mezzo alla sperimentazione modernista, la sua scrittura perdura per la sua acuta intuizione sulla natura umana e sulle dinamiche sociali. I suoi estesi viaggi hanno infuso nella sua opera una prospettiva globale, esplorando temi universali con uno sguardo fermo e osservatore. L'eredità duratura di Maugham risiede nella sua abile rappresentazione dei personaggi e nel suo esame lucido delle complessità della vita.
From 1892, when he was 18, until 1949, when this book was first published, Somerset Maugham kept a notebook. Part autobiographical, part confessional, this is a collection of Maugham's observations, confidences, aspirations and arbitrary jottings.
William Somerset Maugham (1874-1965) was an English playwright, novelist, and short story writer. He was one of the most popular authors of his era, and reputedly the highest paid of his profession during the 1930s. By 1914 he was famous, with 10 plays produced and 10 published novels. His masterpiece is generally agreed to be Of Human Bondage (1915), a semi-autobiographical novel that deals with the life of the main character Philip Carey, who like Maugham, was orphaned, and brought up by his pious uncle. His last major novel, The Razor's Edge, published in 1944, was a departure for him in many ways. While much of the novel takes place in Europe, its main characters are American, not British. His other works include: Liza of Lambeth (1897), Mrs Craddock (1902), A Man of Honour (1903), The Land of the Blessed Virgin (1905), The Bishop's Apron (1906), Lady Frederick (1907), The Magician (1908), Home and Beauty (1909), The Moon and Sixpence (1919), The Circle (1921), The Trembling of a Leaf (1921), and On a Chinese Screen (1922).
An alternative cover for this ISBN can be found here Autobiographical and confessional, and yet not, this is one of the most highly regarded expressions of a personal credo – both a classic avowal of an author’s ideas and his craft.
Cakes and Ale is a delicious satire of London literary society between the Wars. Social climber Alroy Kear is flattered when he is selected by Edward Driffield's wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist's voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrissing shadow over his career and respectable image. Wise, witty, deeply satisfying, Cakes and Ale is Maugham at his best.
This final classic collection reveals Somerset Maugham’s unique talent for exposing and exploring the bitter realities of human relationships in tales of love, infidelity, passion and prejudice. The stories range from “The Lotus Eater” where a man envisions a life of bliss in the Mediterranean, to the astringent tales of “The Outstation” and “The Back of Beyond” in Malaya and South East Asia. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
