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W Somerset Maugham

    William Somerset Maugham ha creato una prosa rinomata per la sua chiarezza e precisione, uno stile talvolta notato per la sua apparente semplicità, ma capace di profonde osservazioni. Nonostante le prime critiche per il suo stile sobrio in mezzo alla sperimentazione modernista, la sua scrittura perdura per la sua acuta intuizione sulla natura umana e sulle dinamiche sociali. I suoi estesi viaggi hanno infuso nella sua opera una prospettiva globale, esplorando temi universali con uno sguardo fermo e osservatore. L'eredità duratura di Maugham risiede nella sua abile rappresentazione dei personaggi e nel suo esame lucido delle complessità della vita.

    Collected Short Stories
    Il mago una bella ragazza in balía di un mostro
    Vacanze di Natale
    Ritratto di un'attrice
    La tentazione di Adamo e altri racconti
    Il fantasma nell'armadio
    • Collected Short Stories

      Volume Two

      • 478pagine
      • 17 ore di lettura

      This final classic collection reveals Somerset Maugham's unique talent for exposing and exploring the bitter realities of human relationships in tales of love, infidelity, passion and prejudice. The stories range from "The Lotus Eater" where a man envisions a life of bliss in the Mediterranean, to the astringent tales of "The Outstation" and "The Back of Beyond" in Malaya and South East Asia.

      Collected Short Stories
      4,4
    • She did not know what to say. She was undecided whether indignantly to assert her innocence or to break out into angry reproaches. He seemed to read her thoughts. I've got all the proof necessary 'Kitty Fane is the beautiful but shallow wife of Walter

      The Painted Veil
      4,0
    • Autobiographical and confessional, and yet not, this is one of the most highly regarded expressions of a personal credo – both a classic avowal of an author’s ideas and his craft.

      The Summing Up
      3,8
    • Writer's Notebook

      • 85pagine
      • 3 ore di lettura

      From 1892, when he was 18, until 1949, when this book was first published, Somerset Maugham kept a notebook. Part autobiographical, part confessional, this is a collection of Maugham's observations, confidences, aspirations and arbitrary jottings.

      Writer's Notebook
      3,4
    • Alle vedove dei grandi scrittori tocca spesso in sorte di trasformarsi in vestali, per mantenere la memoria del caro estinto al riparo da scandali e pettegolezzi. Non è mai un compito facile, e la seconda signora Driffield lo sa bene. Se poi al momento di individuare un agiografo affidabile la scelta ricade su un uomo come Alroy Kear, astro nascente della scena letteraria, ma già noto per «essere in grado di spolpare un uomo fino all’osso, senza per questo serbargli rancore», il minimo che possa accadere è che dal passato del riverito Edward Driffield riemerga almeno un fantasma. Che ha le sembianze – inaccettabili per i frequentatori dei salotti londinesi, irresistibili per chiunque altro – di Rosie, la prima signora Driffield. Da questo spunto Maugham ha ricavato una commedia di costume divertentissima e feroce. E se alla sua uscita nel 1930 (quando chiunque riconosceva nei personaggi tutte le leggende dell’epoca, da Thomas Hardy a Hugh Walpole fino all’autore stesso nei panni della sua controfigura prediletta, il narratore Ashenden) il libro suscitò enorme scandalo, oggi viene da molti ritenuto l’opera in cui Maugham si è spinto più lontano – addirittura, sostiene Gore Vidal, fino a Jane Austen.

      Biblioteca Adelphi - 454: Lo scheletro nell'armadio
      3,8
    • William Somerset Maugham (1874-1965) was an English playwright, novelist, and short story writer. He was one of the most popular authors of his era, and reputedly the highest paid of his profession during the 1930s. By 1914 he was famous, with 10 plays produced and 10 published novels. His masterpiece is generally agreed to be Of Human Bondage (1915), a semi-autobiographical novel that deals with the life of the main character Philip Carey, who like Maugham, was orphaned, and brought up by his pious uncle. His last major novel, The Razor's Edge, published in 1944, was a departure for him in many ways. While much of the novel takes place in Europe, its main characters are American, not British. His other works include: Liza of Lambeth (1897), Mrs Craddock (1902), A Man of Honour (1903), The Land of the Blessed Virgin (1905), The Bishop's Apron (1906), Lady Frederick (1907), The Magician (1908), Home and Beauty (1909), The Moon and Sixpence (1919), The Circle (1921), The Trembling of a Leaf (1921), and On a Chinese Screen (1922).

      The Explorer
    • The Magician

      A Novel, Together with a Fragment of Autobiography

      • 200pagine
      • 7 ore di lettura
      The Magician
    • In Up at the Villa, W. Somerset Maugham portrays a wealthy young English woman who finds herself confronted rather brutally by the repercussions of whimsy. On the day her older and prosperous friend asks her to marry him, Mary Leonard demurs and decides to postpone her reply a few days. But driving into the hills above Florence alone that evening, Mary offers a ride to a handsome stranger. And suddenly, her life is utterly, irrevocably altered. For this stranger is a refugee of war, and he harbors more than one form of passion. Before morning, Mary will witness bloodshed, she will be forced to seek advice and assistance from an unsavory man, and she will have to face the truth about her own yearnings. Erotic, haunting, and maddeningly suspenseful, Up at the Villa is a masterful tale of temptation and the capricious nature of fate.

      Up at the Villa
      3,8