Lydia Davis Libri

Come recita la testata del sito Web della "Timothy McSweeney è un enigma avvolto in un mistero avvolto nella pancetta".Ma chi era davvero Timothy McSweeney? Una delle possibili risposte si trova nel sesto numero, dove si "Timothy McSweeney era un uomo che aveva l'abitudine di scrivere lettere al futuro fondatore della rivista quando questi, ancora bambino e poi adolescente, abitava fuori Chicago. Le lettere, vergate con una calligrafia strana e bellissima, oltre che a lui erano indirizzate alla madre, una McSweeney, e insistevano sul fatto che il loro autore fosse imparentato con questa famiglia di Chicago". La spiegazione va avanti per un bel po' e ve la risparmiamo. Tanto, chissà quanto c'è di vero e quanto è frutto dell'immaginazione.Per quel che ne sappiamo, la rivista è nata a San Francisco nel 1998 a opera di quel formidabile genio di Dave Eggers, e da subito ha rivoluzionato il mondo delle lettere e delle riviste diventando un polo di attrazione per gli autori più famosi (e a volte anche più sconosciuti). Vogliamo fare qualche nome? Stephen King, Joyce Carol Oates, David Foster Wallace, Michael Chabon, Roddy Doyle, William Vollmann, e si potrebbe continuare fino a uscire dai bordi della copertina.In questa antologia abbiamo pensato bene di raccogliere i pezzi firmati da alcune delle intrepide scrittrici che hanno contribuito a rendere la rivista uno dei luoghi più fantastici in cui perdersi. Da Zadie Smith a Heidi Julavits, da Lydia Davis a A.M. Homes, da Susan Minot a Sheila Heti etc. etc., non avrete che l'imbarazzo della storie brevi, memorie personali, saggi e altro ancora non solo saranno per voi, cari lettori, fonte di soddisfazione e di divertimento, ma soprattutto faranno di voi delle persone incredibilmente, oscenamente, inguaribilmente cool. E oggi come oggi, scusateci se è poco.

A collection of short fiction that is written by the winner of the Man Booker International Prize 2013.

A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays I: Reading and Writing, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today.

"A collection of essays on translation, foreign languages, Proust, and one French city, from the master short-fiction writer and acclaimed translator Lydia Davis. In Essays One, Lydia Davis, who has been called "a magician of self-consciousness" by Jonathan Franzen and "the best prose stylist in America" by Rick Moody, gathered a generous selection of her essays about best writing practices, representations of Jesus, early tourist photographs, and much more. Essays Two collects Davis's writings and talks on her second profession: the art of translation. The award-winning translator from the French reflects on her experience translating Proust. She also makes an extended visit to the French city of Arles, and writes about the varied adventures of learning Norwegian, Dutch, and Spanish through reading and translation. Davis, a 2003 MacArthur Fellow and the winner of the 2013 Man Booker International Prize for her fiction, here focuses her unique intelligence and idiosyncratic ways of understanding on the endlessly complex relations between languages. Together with Essays One, this provocative and delightful volume cements her status as one of our most original and beguiling writers"--Publisher's description

The New York Times bestseller 'This selection of 43 stories should by all rights see Lucia Berlin as lauded as Jean Rhys or Raymond Carver' Independent The stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction. With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of grace. Her voice is uniquely witty, anarchic and compassionate. Celebrated for many years by those in the know, she is about to become - a decade after her death - the writer everyone is talking about. The collection will be introduced by Lydia Davis. 'With Lucia Berlin we are very far away from the parlours of Boston and New York and quite far away, too, from the fiction of manners, unless we are speaking of very bad manners . . . The writer Lucia Berlin most puts me in mind of is the late Richard Yates.' LRB, 1999

Exploring philosophical themes and the intricacies of language, this collection of short fiction delves into complex domestic conflicts. Lydia Davis offers profound insights into human relationships, blending empathy with a keen awareness of the emotional landscape. Each story invites readers to reflect on the nuances of connection and communication, highlighting the fragility and depth of personal interactions.

The thirty-four stories in this seminal collection powerfully display what have become Lydia Davis's trademarks—dexterity, brevity, understatement, and surprise. Although the certainty of her prose suggests a world of almost clinical reason and clarity, her characters show us that life, thought, and language are full of disorder. Break It Down is Davis at her best. In the words of Jonathan Franzen, she is "a magician of self-consciousness."

On the border of Scotland and England beginning in 1898, two sheep farmers and their sheepdogs engage in a years-long battle to prove their superiority in handling sheep--a battle which must end in death

From one of our most imaginative and inventive writers, a crystalline collection of perfectly modulated, sometimes harrowing and often hilarious investigations into the multifaceted ways in which human beings perceive each other and themselves. A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she's set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times "one of the quiet giants in the world of American fiction."

Celebrating seven years of culinary creativity, this collection features exceptional writing from notable fiction and nonfiction authors, showcasing a diverse range of topics from humor to lyrical prose, and recipes to personal reflections. The pieces explore various aspects of food and drink, blending historical insights with contemporary experiences, all while maintaining the high-quality writing that defines the magazine. Unique in its literary approach, it stands out as the only journal with its own martini recipe, adding a playful twist to the literary feast.