Lydia Davis Ordine dei libri (cronologico)

A brand new collection of short fiction from Lydia Davis, 'a trailblazer in the world of short-form prose' New Yorker

"A collection of essays on translation, foreign languages, Proust, and one French city, from the master short-fiction writer and acclaimed translator Lydia Davis. In Essays One, Lydia Davis, who has been called "a magician of self-consciousness" by Jonathan Franzen and "the best prose stylist in America" by Rick Moody, gathered a generous selection of her essays about best writing practices, representations of Jesus, early tourist photographs, and much more. Essays Two collects Davis's writings and talks on her second profession: the art of translation. The award-winning translator from the French reflects on her experience translating Proust. She also makes an extended visit to the French city of Arles, and writes about the varied adventures of learning Norwegian, Dutch, and Spanish through reading and translation. Davis, a 2003 MacArthur Fellow and the winner of the 2013 Man Booker International Prize for her fiction, here focuses her unique intelligence and idiosyncratic ways of understanding on the endlessly complex relations between languages. Together with Essays One, this provocative and delightful volume cements her status as one of our most original and beguiling writers"--Publisher's description

The Believer, a ten-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine based at the Beverly Rogers, Carol C. Harter Black Mountain Institute, a department of the University of Nevada, Las Vegas. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, and on occasion, delightful and unexpected bonus items. Our poetry section is curated by Jericho Brown, Kristen Radtke selects our comics, and Joshua Wolf Shenk is our editor-in-chief. Issues feature a column by Nick Hornby, in which he discusses the things he's been reading, as well as a comedy advice column.

Mit »Es ist, wie's ist« beweist Lydia Davis ihre große Meisterschaft in der kleinen Form. Sie betrachtet auf trocken-humorige und intelligente Art das, was zwischen uns und in uns selbst vorgehen kann. Auch noch so kleine Feinheiten und Details des Lebens entdeckt Davis und schenkt ihnen besondere Bedeutung. Eine Vielzahl an unterschiedlichsten Lebenssituationen und menschlichen Eigentümlichkeiten findet sich in den Stories, erzählt mit einem präzisen, klaren Blick: Alltagsspleens und -ängste, eben »ein paar Dinge, die mit mir nicht in Ordnung sind«; ein Kassensturz über eine beendete Beziehung; eine Mutter, die mit ihrer Tochter nie zufrieden ist; eine Kriminalgeschichte, die als Französischsprachkurs getarnt ist; das Rätsel, was es wirklich mit dem Brief eines Ex-Freundes auf sich hat; »Auszüge aus einem Leben«, die einen ganzen Lebensverlauf im Schnelldurchlauf erzählen – und so vieles mehr.

A selection of essays on writing and reading by the master short-fiction writer Lydia Davis Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her “a magician of self-consciousness,” while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, “Davis's signal gift is to make us feel alive.” Best known for her masterful short stories and translations, Davis’s gifts extend equally to her nonfiction. In Essays I: Reading and Writing, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John Ashbery’s translation of Rimbaud to Alan Cote’s painting, and from the Shepherd’s Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today.

The narrative explores the harrowing experiences of a mother who confronts unimaginable trauma, including the betrayal of a partner and the violent realities of life intertwined with crime. It delves into themes of survival, faith, and redemption as the author reflects on her journey through personal hells, ultimately highlighting the transformative power of faith and divine intervention in overcoming life's darkest moments.

Die Erzähler Franzen und Foer sind die größten Bewunderer Lydia Davis‘, sie ist eine der originellsten Köpfe der amerikanischen Literatur. Die Meisterin der kurzen Form nimmt in ihren Erzählungen, die manchmal nur zwei Zeilen lang sind, witzig und ungeheuer klug die Abenteuer des Alltags in den Blick. Egal ob sie von Reisen, Essgewohnheiten oder verflossenen Männern erzählt, mit Davis ist man stets mitten im Leben - heiter, nachdenklich, praktisch und immer mit einem philosophischen Augenzwinkern.

Berlin invites her reader into a rich, itinerant life: one of beauty, pain, laughter, drink and surprising moments of grace. In Mexico, Chile and the American southwest, in laundromats, hospitals, motels and bars, she crafts miracles from the everyday with a voice that is irresistible.

On the border of Scotland and England beginning in 1898, two sheep farmers and their sheepdogs engage in a years-long battle to prove their superiority in handling sheep--a battle which must end in death

'Bloomington- Now that I have been here a while, I can say with confidence that I have never been here before.' 'Delightful, deeply moving, deliciously humorous, beautiful and surprising.' Financial Times'One of America's finest practitioners of prose . . . brimming with renewed inventiveness and the ability to assault readers with an upped dosage of wit, pathos and insight. Stunning, mesmerising.' Herald'A chance to revel . . . good, funny, remarkable.' Observer'Take these writings as they come, slowly. You will go back to a little gem that has wormed its way into your mind and stuck there, and discover that it is indeed a little gem, which sparkles a different way each time and flashes with a brief beauty of hidden meaning.' Susan Hill, Spectator'Davis can invest descriptions of everyday events with startling reserves of emotion. She has a brilliant eye for the surprising, vibrant detail.'Sunday Times'A clever and refreshing observation of the world around us.' Stylist'One of the unique creations of American literature.' Prospect

From one of our most imaginative and inventive writers, a crystalline collection of perfectly modulated, sometimes harrowing and often hilarious investigations into the multifaceted ways in which human beings perceive each other and themselves. A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she's set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times "one of the quiet giants in the world of American fiction."

Published in conjunction with the Documenta 13 exhibition in Kassel, Germany, the Documenta notebook series 100 Notes,100 Thoughts ranges from archival ephemera to conversations and commissioned essays. These notebooks express director Carolyn Christov-Bakargiev's curatorial vision for Documenta 13.

A collection of short fiction that is written by the winner of the Man Booker International Prize 2013.

Come recita la testata del sito Web, "Timothy McSweeney è un enigma avvolto in un mistero avvolto nella pancetta". Ma chi era davvero Timothy McSweeney? Una possibile risposta si trova nel sesto numero, dove si racconta di un uomo che scriveva lettere al futuro fondatore della rivista quando questi era ancora bambino vicino a Chicago. Le lettere, con una calligrafia strana e bella, erano indirizzate anche alla madre, insistendo su un legame con la famiglia McSweeney. La spiegazione si sviluppa ulteriormente, ma resta da chiedersi quanto ci sia di vero e quanto di immaginario. La rivista è nata a San Francisco nel 1998 grazie a Dave Eggers, rivoluzionando il panorama letterario e attirando autori celebri come Stephen King, Joyce Carol Oates, David Foster Wallace e molti altri. In questa antologia, abbiamo raccolto i contributi di alcune delle intrepide scrittrici che hanno reso la rivista un luogo affascinante. Da Zadie Smith a Heidi Julavits, da Lydia Davis a A.M. Homes, fino a Susan Minot e Sheila Heti, troverete una varietà di storie brevi, memorie personali, saggi e altro ancora. Queste letture non solo vi offriranno soddisfazione e divertimento, ma vi trasformeranno in lettori incredibilmente cool. E oggi, scusateci se è poco.

The thirty-four stories in this seminal collection powerfully display what have become Lydia Davis's trademarks—dexterity, brevity, understatement, and surprise. Although the certainty of her prose suggests a world of almost clinical reason and clarity, her characters show us that life, thought, and language are full of disorder. Break It Down is Davis at her best. In the words of Jonathan Franzen, she is "a magician of self-consciousness."

Lydia Davis has been called "one of the quiet giants in the world of American fiction" (Los Angeles Times), "an American virtuoso of the short story form" (Salon), an innovator who attempts "to remake the model of the modern short story" (The New York Times Book Review). Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as Time magazine observed, her stories are "moving . . . and somehow inevitable, as if she has written what we were all on the verge of thinking."In Varieties of Disturbance, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.Varieties of Disturbance is a 2007 National Book Award Finalist for Fiction.

Celebrating seven years of culinary creativity, this collection features exceptional writing from notable fiction and nonfiction authors, showcasing a diverse range of topics from humor to lyrical prose, and recipes to personal reflections. The pieces explore various aspects of food and drink, blending historical insights with contemporary experiences, all while maintaining the high-quality writing that defines the magazine. Unique in its literary approach, it stands out as the only journal with its own martini recipe, adding a playful twist to the literary feast.

An unnamed narrator attempts to organize her memories of a love affair into a novel

Exploring philosophical themes and the intricacies of language, this collection of short fiction delves into complex domestic conflicts. Lydia Davis offers profound insights into human relationships, blending empathy with a keen awareness of the emotional landscape. Each story invites readers to reflect on the nuances of connection and communication, highlighting the fragility and depth of personal interactions.