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Albena Yaneva

    Albena Yaneva è un'antropologa dell'architettura il cui lavoro abbraccia i confini disciplinari della teoria architettonica, degli studi di scienza e tecnologia, dell'antropologia cognitiva e della filosofia politica. La sua ricerca approfondisce i modi intricati in cui vengono costruiti oggetti architettonici e città, e come queste costruzioni modellano il pensiero e la società umana. Yaneva si concentra sull'esame critico dei processi che formano i nostri ambienti urbani, esplorando le supposizioni non dette e le forze politiche incorporate nell'architettura. Il suo approccio interdisciplinare offre una prospettiva unica sulle complessità della costruzione del mondo che abitiamo.

    Latour for Architects
    Architecture after Covid
    The Making of a Building
    Crafting History
    • 2023

      Architecture after Covid

      • 224pagine
      • 8 ore di lettura

      A 'parasite' in the city -- The laboratorization of urban space -- Pandemic variations of design practice -- Architectural research extended to things.

      Architecture after Covid
    • 2022

      Latour for Architects

      • 140pagine
      • 5 ore di lettura

      Latour for Architects is the first introduction to the key concepts and ideas of Bruno Latour that are relevant to architects.

      Latour for Architects
    • 2020

      Crafting History

      Archiving and the Quest for Architectural Legacy

      • 252pagine
      • 9 ore di lettura

      Exploring the daily operations at the Canadian Centre for Architecture, this work highlights the collaborative nature of architectural design, emphasizing the contributions of archivists, librarians, and curators. Yaneva argues that the process of creating architectural archives serves as a crucial reflection of design's cultural significance in modern society, showcasing how these archives embody the collective efforts involved in the design process.

      Crafting History
    • 2009

      How do architects learn about a building-to-be? How does a building emerge and gain reality in the model shop, in scaling, in option making, in architects’ – and engineers’ – discussions, in public presentations? What does it mean to design? What does it mean to add a building to the city? Drawing on rare ethnographical material of architects at work at the Office for Metropolitan Architecture (OMA) of Rem Koolhaas in Rotterdam in the period 2001-4, this book offers a novel account of the social and cognitive complexity of architecture in the making. The author dismisses both stylistic periodization and socio-political constructivist methods as being inadequate to the task of understanding the dynamic process of how architects generate design through space and materiality, instead showcasing the potentials of the pragmatist approach as a research tool in the field of architecture. Offering a new way of understanding architecture as practice that takes place within the interactive networks of human and non-human actors, the book also tells the intriguing story of the extensions of the Whitney Museum of American Art in New York.

      The Making of a Building