This book explores the intersection of utopian studies, film studies, and the sociology of globalization, arguing that 21st-century cinema represents a revival of utopia as an open method rooted in cosmopolitan ideals. Contemporary films like *Children of Men*, *The East*, and *The Hunger Games* express a cosmopolitan utopianism that supports egalitarian and sustainable futures, rather than negating hope or upholding a static status quo. These films challenge geopolitical borders and social barriers related to class, gender, race, sexuality, and birthplace, re-inscribing utopia within the political landscape. Through ecocritical narratives, caring protagonists, and cooperative networks, they encourage audiences to envision dialogical imaginaries that resist patriarchal norms, ecocidal practices, and neoliberal global definitions. In the context of climate change, economic recession, and global social movements, the films analyzed in this work redefine utopia as a method of critical resistance and transformative action. They evoke a vision of a fairer world, highlighting how global interdependence shapes not only risks and inequalities but also inclusive horizons, holistic thinking, intersectional activism, and nurturing connections that resonate deeply within us.
