Lynne Tillman Libri

"From 1998 to 2005 Neil Drabble photographed an American teenager, Roy, as he grew from adolescence to early manhood. On one level this extensive body of work can be viewed as a fascinating document of an always-compelling transition. Closer scrutiny reveals further nuances; a collaboration, a partnership, a personal portrait and at the same time a universal picture of adolescence. Drabble chose not to depict significant events that might appear in a family album nor definitive moments associated with documentary photography. Instead, these photographs concentrate on the listless, off-scene periods, the 'in between moments' of everyday life. This focus on the marginal passages of disregarded time situates the viewer at the heart of adolescence, defined as the period between childhood and adulthood, suspended between longing (for the deferred promise of adulthood) and regret (for the loss of childhood as refuge). By photographing the same person repeatedly and intimately over their formative years, a sense of mirroring began to emerge, reawakening something of the artist's own adolescent self, blurring the line between portrait and self-portrait"--Provided by publisher.

Grand and minute, elegiac and hilarious, Lynne Tillman expands the possibilities of the American novel in this dazzling read about a former historian ruminating on her own life and the lives of others--named a best book of the century by Vulture. In the hypnotic, masterful American Genius, A Comedy, a former historian spending time in a residential home, mental institute, artist’s colony, or sanitarium, is spinning tales of her life and ruminating on her many and varied preoccupations: chair design, textiles, pet deaths, family trauma, a lost brother, the Manson family, the Zulu alphabet, loneliness, memory, and sensitive skin--and what “sensitivity” means in our culture and society. Showing what might happen if Jane Austen were writing in 21st-century America, Tillman fashions a microcosm of American democracy: a scholarly colony functioning like Melville's Pequod. All this is folded into the narrator's memories and emotional life, culminating in a seance that may offer escape and transcendence--or perhaps nothing at all. This new edition of a contemporary classic features an introduction by novelist Lucy Ives.

A young woman drifts through a series of one night stands and truncated love affairs. Finding herself in a series of increasingly bizarre situations, she turns her curious and savage eye out on the foibles of the world around her. The men of this world evade and simper, they prey, and preen, and fall hopelessly in love. Through these snapshots we get a biting psychopathology, not just of masculinity in its various masks, but of sex and desire in the early 1970s.

From the brilliantly original novelist and cultural critic Lynne Tillman comes Mothercare, an honest and beautifully written account of a sudden, drastically changed relationship to one's mother, and of the time and labor spent navigating the American healthcare system.

Anastasia returns to her grandmother's house in Dublin after six years away. She has been in Paris comforting her dying mother, who ran away from Anastasia's late father. This is a story of Dublin and the unreachable side of the Irish temperament.

The narrative follows Ezekiel Hooper Stark, a cultural anthropologist and ethnographer, as he navigates a world overwhelmed by visual stimuli. Through his reflections and experiences, the book explores the implications of our image-saturated existence, delving into themes of identity and perception in contemporary society. Stark's unique profession in family photography adds depth to his insights, making the reader contemplate the significance of images in shaping personal and collective narratives.

From the acclaimed cult writer of Weird Fucks

Warhol's Factory as seen through the lens of a young Shore, providing an insider view of this extraordinary moment and place Stephen Shore was 17 years old when he began hanging out at The Factory - Andy Warhol's legendary studio in Manhattan. Between 1965 and 1967, Shore spent nearly every day there, taking pictures of its diverse cast of characters, from musicians to actors, artists to writers, and including Edie Sedgwick, Lou Reed, and Nico - not to mention Warhol himself. This book presents a personal selection of photographs from Shore’s collection, providing an insider's view of this extraordinary moment and place, as seen through the eyes of one of photography's most beloved practitioners.

Elizabeth Hall is having terrible thoughts. It's 5:00 A.M., and she can't sleep. She's sitting at her window, ready to kill. She's watching the morons on the street smashing bottles, flipping garbage cans, and vomiting. A shady man's sitting in his window, watching her. Jeanine's in a doorway, turning a trick for the price of a rock. Written with a paranoid's startling clarity, No Lease on Life, twenty-four unpredictable hours in the life of a woman and a city, is brilliant, dark, and desperately funny. There's also Gisela, an aging beauty who's sure the Swiss government is out to get her; Hector, the building super, who can't throw anything out; and her boyfriend, Roy, who just wants her to get away from the window.