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Richard Siken

    Richard Siken è un poeta, pittore e regista americano la cui opera è caratterizzata da un'intensa emozione e da potenti immagini. La sua poesia esplora spesso temi come l'amore, il desiderio e la violenza con un'onestà incrollabile. Attraverso un avvincente mix di lirismo e interpretazione cruda, Siken crea una voce letteraria unica che risuona nei lettori che cercano versi profondamente sentiti e formalmente audaci.

    War of the Foxes
    Crush
    I Do Know Some Things
    • I Do Know Some Things

      • 128pagine
      • 5 ore di lettura

      The long-anticipated third collection from the revered Richard Siken delivers his most personal and introspective collection yet. Richard Siken's long-anticipated third collection, I Do Know Some Things, navigates the ruptured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with a body forgetting itself--"the mind that / didn't work, the leg that wouldn't move...". Meditations on language are woven throughout the collection. Nouns won't connect and Siken must speak around a meaning: "dark-struck, slumber-felt, sleep-clogged." To say "black tree" when one means "night."Siken asks us to consider what a body can and cannot relearn. "Part insight, part anecdote," he is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in "The field [that] had been swept clean of habit."

      I Do Know Some Things
      4,5
    • Crush

      • 80pagine
      • 3 ore di lettura

      A powerful collection of poems driven by obsession reveals a poetry that is at once confessional, gay, savage, and charged with a violent eroticism. Simultaneous.

      Crush
      4,4
    • In this long-awaited follow-up to Crush, Yale Series of Younger Poets prize-winner Richard Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In this restless, swerving book simple questions—such as, Why paint a bird?—are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its—and our own—invention.

      War of the Foxes
      4,2