Bloomsbury Publishing Plc Ordine dei libri (cronologico)

"Surveys religion, science and technology, including historical global context and issues specific to the North American context, such as Native American religion"--

The Middle Ages was an era of dynamic social transformation, and notions of disability in medieval culture reflected how norms and forms of embodiment interacted with gender, class, and race, among other dimensions of human difference. Ideas of disability in courtly romance, saints' lives, chronicles, sagas, secular lyrics, dramas, and pageants demonstrate the nuanced, and sometimes contradictory, relationship between cultural constructions of disability and the lived experience of impairment.An essential resource for researchers, scholars, and students of history, literature, visual art, cultural studies, and education, A Cultural History of Disability in the Middle Ages explores themes and topics such as atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

This collection of topical essays by academics and industry professionals brings a unique lens to the issues broached, questions raised, and solutions offered regarding the history and advancement of digital fashion. While digital fashion's roots can be traced back to the development of the Jacquard loom, its modern-day antecedents are found in video games and Instagram filters - allowing users to apply virtual makeup, accessories, and clothes to their posts. With 12 essays and four specialist interviews, this collection begins with digital fashion's origins, its placement in the history of fashion, and its status as an aesthetic object. Part 2 focuses on the practice of making digital fashion, including NFTs, sneaker culture, cyborg vs skins and education. Part 3 provides a critical overview of digital fashion's potential to impact wider society, including questions of social equity, sustainability and African decoloniality and the future of the industry. Interviewees: Julie Zerbo, founder and Editor-in-Chief of The Fashion Law Idiat Shiole (Hadeeart), Web3 startup founder and 3D designer Jonathan M. Square, writer, historian, and curator of Afro-Diasporic fashion and visual culture Matthew Drinkwater, Head of Innovation Agency, London College of Fashion

A beautifully illustrated pocket guide to 40 of the most iconic World War II tanks. From the rapid blitzkrieg assaults to the great battles in North Africa and desperate clashes on the Eastern Front, tanks played a vital role in World War II, becoming one of the key components of the 'combined arms' philosophy of warfare. But how well do you know the most famous and infamous tanks of the period, and how their speed, armour and armament compare? Which Soviet tank proved impervious to German firepower? Which stopgap design turned out to the one of the best-armed tanks of its day? The World War II Tank Spotter's Guide answers all of these questions and more, providing essential information on 40 legendary tanks, such as the Panther, Sherman, and T-34. Featuring full-colour artwork to aid recognition, as well as all the details you need to compare their performance, this is the perfect pocket guide to the Allied and Axis tanks of World War II.

In Renaissance humanism, difference was understood through a variety of paradigms that rendered particular kinds of bodies and minds disabled. A Cultural History of Disability in the Renaissance, covering the period from 1450 to 1650, explores evidence of the possibilities for disability that existed in the European Renaissance, observable in the literary and medicinal texts, and the family, corporate, and legal records discussed in the chapters of this volume. These chapters provide an interdisciplinary overview of the configurations of bodies, minds and collectives that have left evidence of some of the ways that normativity and its challengers interacted in the Renaissance.An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Renaissance explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

The period covered by this volume, roughly 800-1450, was one of enormous change in the way people lived in their houses. Medieval people could call a grand castle, a humble thatched hut, or anything in between home, but houses were more than physical spaces. They changed according to technological developments, climatic needs, geological limitations and economic resources. They were also moral units that were themselves symbolic, economic, gendered, and social. At the beginning of our period, the movement of people, goods, and ideas, and the need for defense against some of this movement had an impact on how and where people lived. The codification of laws shaped how people understood the physical integrity of their homes, the reception they should give to those who wanted to enter, and their identification with the house itself. As European economies expanded in the twelfth century, householders increasingly had access to items that changed their day-to-day lives within their houses. This volume argues that through a house and its uses, occupants created, sustained, and understood their relationship to each other and their society.

This volume surveys the burst of political imagination that created multiple Enlightenment cultures in an era widely understood as an age of democratic revolutions. Enlightenment as precursor to liberal democratic modernity was once secular catechism for generations of readers. Yet democracy did not elicit much enthusiasm among contemporaries, while democracy as a political system remained virtually nonexistent through much of the period. If seventeenth- and eighteenth-century ideas did underwrite the democracies of succeeding centuries, they were often inheritances from monarchical governments that had encouraged plural structures of power competition. But in revolutions across France, Britain, and North America, the republican integration of constitutional principle and popular will established rational hope for public happiness. Nevertheless, the tragic clashes of principle and will in fraught revolutionary projects were also democratic legacies. Each chapter focuses on a distinct theme: sovereignty; liberty and the rule of law; the "common good"; economic and social democracy; religion and the principles of political obligation; citizenship and gender; ethnicity, race, and nationalism; democratic crises, revolutions, and civil resistance; international relations; and the transformations of sovereignty--a synoptic survey of the cultural entanglements of "enlightenment" and "democracy."

Drawing together contributions by scholars from a variety of fields, including theater, film and television, sociology, and visual culture, this volume explores the range and diversity of comedic performance and comic forms in the modern age. It covers a range of forms and examples from 1920 to the present day, including plays, film, television comedy, live comedy, and comedy on social media. It argues that the period covered was marked by an explosion of comic forms and a flowering of comic creativity across a range of media. From the communal watching of silent films at the start of the period, to the use of Twitter and other online platforms to share and comment on comedy, technology has brought about significant changes in its form, consumption, and social effects. As comic forms have shifted and developed, so too have attitudes to what comedy can and cannot do. This study considers its role in entertainment and in provoking consideration of a range of social and political topics. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics. These eight different approaches to comedy add up to an extensive, synoptic coverage of the subject.

A Cultural History of the Home presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2800 years of history, charting the changing nature and uses of domestic space throughout history. This volume, A Cultural History of the Home in the Modern Age, explores the place of and the cultural practices associated with the home from 1920 to the present day. As with all the volumes in the illustrated Cultural History of the Home set, this volume presents essays on the meaning of home, family, the house as a physical space, furniture, work, gender, hospitality and religion. A Cultural History of the Home in the Modern Age is the most authoritative and comprehensive survey available on the home in the modern period.

A Cultural History of Sport in the Age of Enlightenment covers the period 1650 to 1800, a period often seen as a time of decline in sporting practice and literature. In fact, a rich sporting culture existed and sports were practised by both men and women at all levels of society. The Enlightenment called into question many of the earlier notions of religion, gender, and rank which had previously shaped sporting activities and also initiated the commercialization, professionalization and associativity which were to define modern sport. The 6 volume set of the Cultural History of Sport presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of sport and its ever-changing social, cultural, political, and economic context and impact. The themes covered in each volume are the purpose of sport; sporting time and sporting space; products, training and technology; rules and order; conflict and accommodation; inclusion, exclusion and segregation; minds, bodies and identities; representation. Rebekka von Mallinckrodt is Professor at the University of Bremen, Germany. Volume 4 in the Cultural History of Sport set General Editors: Wray Vamplew, Mark Dyreson, and John McClelland

A Cultural History of Objects in the Renaissance covers the period 1400 to 1600. The Renaissance was a cultural movement, a time of re-awakening when classical knowledge was rediscovered, leading to an efflorescence in philosophy, art, and literature. The period fostered an emerging sense of individualism across European cultures. This sense was expressed through a fascination with materiality and the natural world, and a growing attachment to things. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. James Symonds is Professor at the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte

18th century philosopher Edmund Burke wrote, 'deformity is opposed, not to beauty, but to the complete, common form. If one of the legs of a man be found shorter than the other, the man is deformed; because there is something wanting to complete the whole idea we form of a man'. During the long 18th century, new ideas from aesthetics and the emerging scientific disciplines of physics, biology and zoology contributed to changing fundamental notions about human form, function and ability. The interrelated concepts of the natural and the beautiful coalesced into a hegemonic ideology of form, one which defined communal standards regarding which aspects of human appearance and ability would be considered typical and socially acceptable and which would not.An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Eighteenth Century explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

A collection of letters written through the ages from historical figures who have been incarcerated, including Anne Boleyn, Bertrand Russell, Sylvia Pankhurst and Al Capone.

"The book covers topics that all students will need to learn about Buddhism, including its rituals and its scriptures, meditation and monasticism, and death and afterlife. The book also includes contemporary issues such as Buddhism and economics and socially engaged Buddhism. Over 70 illustrations are included throughout, and a glossary is provided of key terms and concepts. Each chapter provides suggested further reading"--

2020 was a year in which global politics radically shifted, catalyzed by the Covid-19 pandemic and the #BlackLivesMatter movement. This book is a response to that year, asking was it a moment or is it a movement and what fundamental changes within the arts industry need to come out of this time?The book includes 20 interviews with some of the most pioneering black cultural leaders from a wide range of senior executive positions in the arts within the UK, US and Africa. It documents the sea of change in arts leadership post the height of the #Blacklivesmatter movement, the pressure on organizations to confront and change their racial and ethnic make-up, and shines a light on the guiding ambitions, strategic plans and visions for the future to support the ongoing decolonization of arts organizations across the world. Learn from those who have walked the walk to support your vision for the future.

In this original volume, Jennifer J. Purcell and Fiona Courage curate and contextualize Mass-Observation's rich archival materials on the British popular imagination of the monarchy and the royal family between 1937 and 2022. A 2016 telephone poll of British adults by Ipsos Mori conducted on the occasion of Queen Elizabeth II's 90th birthday declared that 'the monarchy remains as popular as ever'. The survey also found that a substantial majority favored a monarchy over a republic. What lies behind the generalisations and statistical data generated by such opinion polls? How does the British public imagine the monarchy and its role in British society and governance? What is the relationship between the British people and the Crown? Using material from the social research organisation, Mass-Observation, which has been asking these questions for over 80 years, Reflections on British Royalty gets to the heart of these issues and more besides. From the coronation of George VI in 1937 to the wake of Elizabeth II's death- via war, weddings, a jubilee and a tragedy - this book incorporates everything from diaries and detailed responses to questionnaires, to children's essays on royalty, internal organisational documents and published reports on popular attitudes to royalty in order to reveal the true nature of Britain's relationship with its monarchy in the modern era.

"Beginning with an overview of the history of Judaism, this book covers key topics in the study of Judaism including the major texts of Judaism, the Jewish Life Cycle, Rabbinic Literature, and the Jewish calendar. The book is illustrated with over 50 illustrations and each chapter contains suggested further reading and a glossary of key terms and concepts"--

This book surveys the growing field of secularity and non-religion, focussing on the North American context. The introductory overview article explains that the field encompasses a wide and disparate set of people and processes. These include the religious nones and unaffiliated, atheists and agnostics, secular humanists and secular activists, and many other kinds of the "traditionally nonreligious" along with novel forms of secular identities, organizations, and worldviews.Chapters highlight the key topics, findings, arguments, and controversies from the past 20 years of research, including issues of secular and nonreligious identity, health, organization, family, inequality, discrimination. The book is illustrated throughout with over 60 images and each chapter includes guidance on further reading. A glossary of key terms and concepts is included. This is a much-needed resource for teaching secularity and non-religion, as well as the sociology of religion.

In this volume leading scholars assess the contributions of Max Reinhardt, Leopold Jessner and Harley Granville Barker to European theatre. Their work represents the cultural shift from traditional theatre practices of the 19th century to the rise of Modernism and its means of establishing theatre as an art form in its own right. Uncovering the theories and visions of theatre held by Reinhardt, Jessner and Barker, this volume establishes the contribution and importance of these directors in the development of modern theatre and their significance alongside the better-known names of Stanislavski and Brecht.

This volume features contributions from significant voices in the field, renewing the conversation about the 'queer' in architecture and addressing the methodological and epistemological challenges it presents to architectural theory. Architecture, as a discipline and practice, is inherently tied to its own framework of orderliness, encompassing not just buildings but also thought, knowledge, conventions, governance, power hierarchies, and administrative systems. This raises the question: how can one approach queering architectural discourse when 'queer' itself, known for its elusive nature, resists such order? Divided into four subsections—methods, practices, spaces, and pedagogies—the essays explore various inquiries to further the queering of architecture. They reveal the paradoxical nature of this endeavor through diverse perspectives, addressing topics such as mapping queer theory in architecture, the challenges of queer architectural archives, and non-Western linguistic issues related to the term 'queer.' The anthology also engages with decolonial approaches to architecture through indigeneity and landscape. This work not only challenges normative methods in architectural discourse but also confronts the complexities of establishing 'queer' methodologies. It is essential reading for both architectural and queer theorists.

Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact. From 19th-century frontispieces to Soviet photo albums, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters open up historically specific connections between word and image to collective examination and fruitful analysis. Written by both established and emerging scholars in a range of interrelated fields, the chapters deliberately foreground previously overlooked topics as well as unfamiliar disciplinary approaches, to offer a stimulating and carefully developed framework for looking at these ubiquitous phenomena afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.

This volume assesses the contributions of André Antoine, Konstantin Stanislavski and Michel Saint-Denis, whose work has influenced theatre and training for over a century. These directors pioneered Naturalism and refined Realism as they experimented with theatrical form including non-Realism. Antoine and Stanislavski's theatre direction proved foundational to the creation of the director's role and artistic vision, and their influential ideas progressively developed through the stylized theatre of Saint-Denis to the innovative contemporary theatre direction of Max Stafford-Clark, Declan Donnellan and Katie Mitchell.

Foreword by Alice Oseman, creator of the million-copy bestselling Heartstopper books. 'This is not a book, it is a sky filled with possibility, so let its wisdom lift you and soar!' Joseph Coelho, Children's Laureate Celebrating its 21st edition, this indispensable Children's Writers' & Artists' Yearbook provides everything you need to know to get your work noticed. With thousands of up-to-date contacts and inspiring articles from dozens of successful writers, illustrators and industry insiders, it is the ultimate resource on writing and publishing for children of all ages. Packed with insights and practical tips, it provides expert advice on: - submitting to agents and publishers - writing non-fiction and fiction across genres and formats - poetry, plays, broadcast media and illustration - self-publishing - copyright, finances and contracts - marketing, prizes and festivals - and much, much more ... New content in this edition include articles on Your Author Brand by Tom Palmer, Getting Published by Hannah Gold, Writing with empathy by Camilla Chester, What an indie bookshop can offer authors by Carrie & Tim Morris. 'Between the covers of this book is everything you need to know to get published.' Julia Donaldson

This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these three directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged 'directors' theatre'. It argues that, in creating their major productions in the prosperous 'glorious decades' that followed the devastation of the Second World War, they represent a first expressly 'European' generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.

Students are encouraged to think beyond simple identifiers of “Muslim,” “American,” “Canadian,” or “Mexican”, and to consider how these identifiers exist in conversation with one another, and with others such as gender, class, race, sexuality, and ability. The overview chapter provides students with an introductory grounding in the field. Chapters take a multidisciplinary approach, and focus on the expressions of Islam in its diverse forms. The book is illustrated throughout with over 75 images and each chapter contains suggested further reading. A glossary of key terms and concepts is included. Case studies include Islam in Cuba, Islam and the Black experience, and the Hijab. Topics covered include Muslims and Politics in the US, Islamophobia as/and racism, Muslims in American popular media, the Latinx Muslim experience, and religious diversity in Canada. From tracing street names, such as Malcom X Boulevard in Harlem, to exploring how Islam has been constructed as a normatively male religion, this book provides a much-needed resource for students and instructors that acknowledges that Muslims navigate their identities in a world where Orientalist ideas continue to dominate politics, policy, and public imagination.

"An examination of the stance towards various philosophies found in the theological works of Joseph Ratzinger"--

A Cultural History of Color in the Age of Enlightenment explores the transformative role of color from 1650 to 1800, spanning the Baroque to Neo-classical periods. This era saw significant advancements, such as Newton's prism experiment, which revealed seven distinct hues and spurred the creation of color wheels and standardized naming. Innovations in color printing enhanced the quality of maps and botanical illustrations. Color became a symbol of identity and wealth, evident in uniforms, flags, and fashion, while the expansion of empires and trade introduced new perspectives on color. The six-volume set examines how color influences individual experiences and societal meanings attached to spaces, objects, and moments. Key themes include color philosophy and science, technology and trade, power and identity, religion and ritual, body and clothing, language and psychology, literature and the performing arts, as well as art, architecture, and artifacts. This volume is part of a broader exploration of color's significance throughout history, led by Carole P. Biggam, an Honorary Senior Research Fellow at the University of Glasgow, and Kirsten Wolf, a Professor at the University of Wisconsin-Madison.

This beautifully told, heart-warming story explores female friendship and the complexities of life through the eyes of Noelle, a hotel cleaner with a peculiar habit of taking small 'souvenirs' from her guests. As she embarks on her 21st job at a five-star hotel, she aims to outlast her previous record of one month before anyone notices her quirks. However, her plans are soon complicated by her new colleagues, who are not just workers but women with rich lives filled with joy and struggles—experiences Noelle has never fully embraced. Their camaraderie challenges her to reconsider what friendship means and whether she can forge genuine connections. As she navigates her past habits and the possibility of a brighter future, Noelle must decide if she can claim the life she truly deserves. Readers are captivated by the unforgettable characters and the uplifting message about the power of friendship, making this a feel-good read that resonates deeply. The story is described as a warm, fuzzy hug, leaving a lasting impression and a sense of longing for the characters long after the last page is turned.

AVAILABLE TO PREORDER NOW - THE PAPERBACK EDITION! The sequel to the acclaimed The Children of Gods and Fighting Men, this powerful historical fantasy novel by Shauna Lawless is set in war-torn medieval Ireland. In 1000 AD, as clouds of war loom, the Irish kingdoms vie for supremacy. Gormflaith, the discontented queen of Brian Boru, plots to eliminate the Descendants, her Fomorian enemies. As her schemes unfold, Gormflaith uncovers a deeper magic within herself—though it comes with unforeseen consequences. Meanwhile, Descendant healer Fodla lives in disguise among mortals, determined to protect her young nephew, who harbors his own secrets. Fodla must shield him from those who would exploit his gifts for malevolent purposes. The arrival of a mysterious man at King Brian's court threatens both Gormflaith and Fodla, as well as the fate of Ireland. This man, Tomas, is an ambitious immortal willing to do whatever it takes to achieve his goals. Reviewers praise Lawless for her ability to blend fantasy with historical fiction, celebrating Ireland's rich history and cultural traditions while highlighting the influential women of the era.

"Shocking Cinema of the 70s casts a transnational net to focus on films from a variety of countries, and from the marginal to the mainstream, which, by tackling various 'difficult' subjects, have proved to be controversial in one way or another. Julian Petley and Xavier Mendik assess how the production values, narrative features and critical receptions of these 'controversial' films can be linked to the wider historical and social forces that were dominant during this decade and continue to resonate in our current historical moment"--

A Cultural History of Money presents an authoritative survey from ancient times to the present. The set of six volumes charts how money has made the world go around over four millennia and how its multiple materialities and meanings have shaped, and been shaped by, the broader social and cultural world around it. 1. A Cultural History of Money in Antiquity (2500 BCE-500 CE) 2. A Cultural History of Money in the Medieval Age (500-1400) 3. A Cultural History of Money in the Renaissance (1400-1680) 4. A Cultural History of Money in the Age of Enlightenment (1680-1820) 5. A Cultural History of Money in the Age of Empire (1820-1920) 6. A Cultural History of Money in the Modern Age (1920-present) Each volume discusses the same themes in its chapters: 1. Money and its Technologies 2. Money and its Ideas 3. Money and Religion 4. Money and the Everyday 5. Money and Art (or Visual Representations) 6. Money and its Interpretation (or Verbal Representations) 7. Money and the Issues of the Age This structure offers readers a broad overview of a period within each volume or the opportunity to follow a theme through history by reading the relevant chapter across volumes. The full six-volume set, which is generously illustrated, combines to present the most authoritative and comprehensive survey available on money in history.

The EU is in crisis. This crisis extends beyond the challenges of Covid-19, Brexit, the Eurozone, and mass migration. It cuts to the core of the EU itself. This text unpacks all dimensions of the EU in crisis, and analyses its implications for the EU and its member states. It argues that crises and challenges are no longer individual events facing the EU, but rather are a sustained condition that has changed the relationship between member states, the functioning of institutions, the nature of public engagement and the prospects for integration. Written by a team of leading experts, this book covers: - Cutting-edge theory - Recent high-impact crisis cases, including health, the environment and threats to democracy - Institutional effects of crises - Political dynamics - Discussion of longer-term implications of the EU This is the perfect companion for those studying and researching contemporary challenges facing the EU, European integration, and crisis management and transboundary crises more broadly.

This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.

A Cultural History of Peace presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of peace throughout history. This volume, A Cultural History of Peace in the Medieval Age explores peace from 800 to 1450. As with all the volumes in the illustrated Cultural History of Peace set, this volume presents essays on the meaning of peace, peace movements, maintaining peace, peace in relation to gender, religion and war and representations of peace. A Cultural History of Peace in the Medieval Age is the most authoritative and comprehensive survey available on peace in the medieval era.

Since the so-called Arab Spring, citizens of African countries have continued to use digital tools in creative ways to ensure that marginalised voices are heard, and to demand for the rights they are entitled to in law: to freely associate, to form opinions, and to express them online without fear of violence or arrest. The authors of this compelling volume have brought to life this dramatic struggle for the digital realm between citizens and governments; documenting in vivid detail how citizens are using mobile and internet tools in powerful viral global campaigns to hold governments accountable and force policy change. With contributions from scholars across the continent, Digital Citizenship in Africa illustrates how citizens have been using VPNs, encryption, and privacy-protecting browsers to resist limits on their rights to privacy and political speech. This book dramatically expands our understanding of the vast and growing arsenal of tech tools, tactics, and techniques now being deployed by repressive governments to limit the ability of citizens to safely and openly express opposition to government and corporate actions. AI-enabled surveillance, covertly deployed disinformation, and internet shutdowns are documented in ten countries, concluding with recommendations on how to curb government and corporate power, and how to re-invigorate digital citizenship across Africa.

A Cultural History of Peace presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of peace throughout history. This volume, A Cultural History of Peace in the Renaissance, explores peace in the period from 1450 to 1648. As with all the volumes in the illustrated Cultural History of Peace set, this volume presents essays on the meaning of peace, peace movements, maintaining peace, peace in relation to gender, religion and war and representations of peace. A Cultural History of Peace in the Renaissance is the most authoritative and comprehensive survey available on peace in the early modern era.

'A one-stop welcome to the world of publishing ... worth its weight in gold.' Smriti Halls Over the last two decades the Children's Writers' & Artists' Yearbook has become the indispensable guide to writing for children of all ages from pre-school to young adults. It is an essential item for any bookshelf, it includes advice, tips and inspiration for authors and illustrators working across all forms: fiction, non-fiction, poetry, screen, audio and theatre and magazines. It also covers the financial, contractual, and legal aspects of being a writer and illustrator. Its directory of 1,200 listings with contacts are updated yearly to provide the most up-to-date information across the media and publishing industry. It also includes over 50 articles by award-winning writers and illustrators covering all stages of the writing and illustration process from getting started, writing for different markets and genres, and preparing an illustration portfolio, through to submission to literary agents and publishers. Additional articles, free advice, events information and editorial services at www.writersandartists.co.uk

How are Black artists, activists, and educators using acts of rebellion and solidarity to drive change? This collection addresses the impact of contemporary performances on Black cultural, social, and political struggles, examining how these acts engage diverse Black identities and shared histories. It highlights the relationship between performance, intersectionality, and activism in North America and beyond. Featuring contributions from scholars, artists, and activists, it bridges disciplinary divides to explore the nuances of 21st-century Black performance. By incorporating performance-based methodologies and queer and Black feminist theories, it addresses a critical gap in understanding contemporary Black identity, performance, and activism. Topics include Black queer identity formation in playwriting, antiracist pedagogy, digital blackface, and subversive practices by Black women in popular culture. The collection analyzes dramatic works like Lynn Nottage's "Sweat" and Tarell Alvin McCraney's "Choir Boy," alongside acts of resistance such as the Black Lives Matter protests in summer 2020. It also features conversations with artists and scholars at the intersection of rebellion and solidarity, including playwrights Christina Anderson and Donja R. Love, and Willa Taylor, Director of Education and Community Engagement at the Goodman Theatre, Chicago.

Simone Weil (1909-1943) was one of the foremost French philosophers of the 20th century; a mystic, activist, and writer whose profound work continues to intrigue and inspire today. Mirror of Obedience collects together Weil's poetry and autobiographical writings translated into English for the first time. It offers a rare glimpse into a more personal and introspective Weil than we usually encounter. She was writing and re-working her poems until the end of her life and in a letter from London to her parents, dated 22 January 1943, she expressed the wish for her verses to appear together in print in chronological order, a wish which this volume honours. Weil was a thinker who wrote with discipline and spareness and cherished the poetic form for its power to compress language and distill meaning. In these poems and literary writings, we see her own efforts to craft poems as essential expressions of thought, bringing into view another aspect of Weil's quest for beauty and truth.

This major collection features critical responses to performance lighting, showcasing contributions from award-winning designers, researchers, and artists. It presents recent work examples through case studies from Britain, Europe, the US, and China, combining theoretical and analytical approaches to deepen understanding of light's role in performance and creative practices. The volume explores three core themes: 1. Experience - focusing on how light affects both audience perception and performers' experiences. 2. Creativity - examining the performative capacities of light and the creative practices of lighting designers. 3. Meaning - expanding performance aesthetics by analyzing how light can influence and generate meaning. Case studies include insights from Jennifer Tipton on light as a structural language, Jesper Kongshaug on Tivoli Gardens' lighting, Lucy Carter on installation and dance, Psyche Chui on blending Western techniques with contemporary Chinese opera, Katharine Williams on light in feminist political theatre by RashDash, and Paule Constable on storytelling through light in productions like War Horse and Angels in America. This collection enriches the discourse on the transformative power of light in performance.

Why did Islamists respond so differently to the Arab Spring? What do these different responses tell us about Islamists' ideological commitment and resilience, or the contexts within which they were functioning? This book is based on fieldwork on Islamists in eight Middle Eastern countries: Egypt, Tunisia, Libya, Morocco, Yemen, Jordan, Kuwait and Syria. The contributors trace the transformation of the Islamists' ideology, behaviour, and strategy since the beginning of the Arab Spring. The aim of the book is to show that Islamists necessarily have an interactive and dialectical relationship with the environments in which they find themselves, and that their behaviour and political calculations are based on a wide range of local, regional and global factors. They take into account the impact of the different contexts the groups found themselves in from authoritarian to open and reformist, and contexts of armed conflict and civil war. An interdisciplinary project, the book captures the ongoing transformation of Islamist parties to explain the reasons why some movements could adapt and make shifts in their discourse and strategy, maintaining organizational coherence and unity, while others fell short and suffered major splits and schisms. The robust theoretical findings update existing literature on Islamism and advance the state of the field.

Crossing continents and traveling through the centuries, Key Concepts in World Philosophies brings together 45 of the core ideas associated with the major Indian, Chinese, Japanese, Islamic, African, Ancient Greek, Indigenous and modern European philosophers. What connects these foundational ideas is the universal theme of transformation: how has each concept sought to change our way of understanding the world we live in or the life we are living? From Chinese xin and karma in Buddhist traditions to okwu in African philosophy and equity in Islamic thought, an international team of experts cover a diverse set of ideas and theories originating from thinkers such as Confucius, Buddha, Dogen, Nietzsche and Zhuangzi. Divided into three sections organised around the major themes of knowledge, metaphysics, and aesthetics, each short chapter provides an introductory overview with contextual background, supported by discussion questions and further reading suggestions. Beginning with an introduction about the need of valuing diversity for navigating the 21st century, this one-of-a-kind study guide allows you to read philosophical texts from all over the world, understand how to practice cross-cultural philosophy and find out how philosophical ideas can be applied to your own life.

This interdisciplinary book, written by disability scholars, practitioners, activists, and disabled users and makers, pushes beyond ideas of universal design to argue for a new user-initiated design that can enable people with disabilities to participate more fully in their social, professional, creative, and domestic lives. After Universal Design illuminates how design often works in the real world, forcing a rethink of the top-down professionalized practice of universal design which has dominated thinking and practice around design for disability for decades. Contributors explore questions around design and personal agency, hardware, spaces and legislation. They examine the nuances of prosthetics wearing, conventional hearing aid devices designed to suit personal style, and ways to facilitate pain self-reporting. Using critical perspectives on disability, race, and gender, this book challenges prevalent ideas of inclusive design and social justice and explores how we might envisage developing with, not for.

The Covid-19 lockdowns caused people worldwide to be confined to their homes for longer and on a greater scale than ever before. This forced many unprecedented changes to the way we treat domestic space – as relationships shifted between the public and the private worlds, and homes were rapidly adapted to accommodate the additional roles of schools, offices, gyms, restaurants, making-spaces and more. Above all, our understanding of the home as a site to support and enhance the well-being of its inhabitants changed in a variety of novel ways.Interiors in the Era of Covid is a collection of essays which explore the complex ways in which our inside spaces (contemporary and historical) have responded to Covid-19 and other human crises. With case studies ranging from US and Europe to Japan, China, Colombia, and Bangladesh, this is a truly global work which examines wide-ranging subjects from home-working and home technologies, to the impact of lockdown on people's identities, gender roles in the home, and the realities of domestic living with Covid in refugee camps.Exploring the roles played by designers (both amateur and professional) in accommodating changing requirements and anticipating future ones – whether Covid or beyond – this book is a must-read for students and researchers in interior design, architecture, architectural and design history, and anyone interested in the home and the relationships between health and design.

Charting the early dissemination of Shakespeare in the Nordic countries in the 19th century, this opens up an area of global Shakespeare studies that has received little attention to date. With case studies exploring the earliest translations of Hamlet into Danish; the first translation of Macbeth and the differing translations of Hamlet into Swedish; adaptations into Finnish; Kierkegaard's re-working of King Lear, and the reception of the African-American actor Ira Aldridge's performances in Stockholm as Othello and Shylock, it will appeal to all those interested in the reception of Shakespeare and its relationship to the political and social conditions. The volume intervenes in the current discussion of global Shakespeare and more recent concepts like 'rhizome', which challenge the notion of an Anglocentric model of 'centre' versus 'periphery'. It offers a new assessment of these notions, revealing how the dissemination of Shakespeare is determined by a series of local and frequently interlocking centres and peripheries, such as the Finnish relation to Russia or the Norwegian relation with Sweden, rather than a matter of influence from the English Cultural Sphere.

This book reproduces the original 1937 founding pamphlet of Mass-Observation – the compelling social research project that ran for decades in the mid-20th century – with expert commentary throughout. It also features brand new supporting essays by and informative interviews with prominent scholars of Mass-Observation which reflect on the organisation, its origins and its influence on multiple academic disciplines, including history, sociology and anthropology. An introductory essay by the editor synthesizes the arguments of this material, as well as contributing vital historical context and suggestions for ways in which other disciplines might benefit from the use of Mass-Observation approaches and archival material. There is also a chronology of Mass-Observation, its publications and major figures associated with it. Mass-Observation offers an unparalleled wealth of insights into the lived experiences of Britons in the 20th century and this volume provides the best introduction to it available, familiarizing you with both the original Mass-Observation aims and what value this fascinating material carries for us today.

A Cultural History of Money presents an authoritative survey from ancient times to the present. The set of six volumes charts how money has made the world go around over four millennia and how its multiple materialities and meanings have shaped, and been shaped by, the broader social and cultural world around it. 1. A Cultural History of Money in Antiquity (2500 BCE-500 CE) 2. A Cultural History of Money in the Medieval Age (500-1400) 3. A Cultural History of Money in the Renaissance (1400-1680) 4. A Cultural History of Money in the Age of Enlightenment (1680-1820) 5. A Cultural History of Money in the Age of Empire (1820-1920) 6. A Cultural History of Money in the Modern Age (1920-present) Each volume discusses the same themes in its chapters: 1. Money and its Technologies 2. Money and its Ideas 3. Money and Religion 4. Money and the Everyday 5. Money and Art (or Visual Representations) 6. Money and its Interpretation (or Verbal Representations) 7. Money and the Issues of the Age This structure offers readers a broad overview of a period within each volume or the opportunity to follow a theme through history by reading the relevant chapter across volumes. The full six-volume set, which is generously illustrated, combines to present the most authoritative and comprehensive survey available on money in history.

"This edition is endorsed by OCR for use with the OCR Level 3 Advanced GCE in Latin (H443) specification, Verse Literature (H443/04), for examination from 2025-2026 inclusive"--Page 4 of cover.

Believers from a variety of faith communities were asked to assess how the Covid pandemic has affected their faith. The anthology collects their responses to key questions, such as: · How does your faith explain why such events occur? · How has it affected your religious practices? · What changes has it necessitated? · What differences might we expect once the pandemic is over? · What have we learned from it? Two exponents of each major religion and a number of minority faiths comment on these issues, combined with a concluding essay by the editors assessing the overall impact of the pandemic on religion worldwide. Faiths explored include Jewish, Christian, Islamic, Hindu, Buddhist, Shinto, Sikh Baha'i, Jain, African Traditional Religion, Zoroastrian, Unitarian, Jehovah's Witnesses and Christian Science.

Reinventing Europe provides a thorough exploration of the history of the European Union, tracing its development from inception to recent times. It is the first book of its kind to contextualize the history of the EU within the wider frames of European and global history. The volume also breaks new ground by successfully highlighting the roles individuals, member states, transnational actors and European institutions played in both advancing and slowing down European integration in the EU. With chapters from leading academics in the UK, the US and across Europe who draw on sources in a variety of languages, the book presents a balanced and comprehensive account of this sometimes controversial Union. It is made up of three main parts which in turn cover: · A narrative survey of the EU · A historical analysis of the key institutions and policies · Critical themes and vital geographical spaces There is also a historiographical essay which handily charts the literature in the field, as well as 50 illuminating images, a range of maps, text boxes and primary source extracts, a bibliography and a useful glossary.

A Cultural History of Peace presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of peace throughout history. This volume, A Cultural History of Peace in the Age of Empire, explores peace in the period from 1800 to 1920. As with all the volumes in the illustrated Cultural History of Peace set, this volume presents essays on the meaning of peace, peace movements, maintaining peace, peace in relation to gender, religion and war and representations of peace. A Cultural History of Peace in the Age of Empire is the most authoritative and comprehensive survey available on peace in the long 19th century.

In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.

A fast-paced whirlwind of fantasy and mockery confined to a single room, The Alchemist offers a witty culmination of Jonson's experiments with city comedy. The play has been widely recognized as one of the most impressive achievements of the period's theatre; Coleridge famously described it as one of the three most perfect plots in literature. Yet it is a notoriously difficult play: its alchemical language has aged into obscurity, and its insiderly humour can seem impenetrable to students approaching it for the first time. This comprehensively annotated edition translates and illuminates the play's many pleasures and shows how Jonson's cynical, street-wise wit resonates with our contemporary sensibilities. Pollard highlights the play's witty ingenuity, while offering the information and guidance to enable students to understand and enjoy The Alchemist fully.

This book describes the establishment, growth and partial decline of one of the most important Jewish communities in the world. In the late 15th century the Polish-Lithunaian commonwealth became the centre of Jewish intellectual and legal activity. The culture created by the Polish Jews survived the decline and partition of the Polish state in the 19th century, and the area that was formerly the Polish-Lithuanian commonwealth became a seedbed for further Jewish intellectual developments. The essays in this book provide a picture of the Jewish community in the Polish-Lithuanian commonwealth during the periods of its finest flowering and initial decline.

Saudi Vision 2030 and the National Transformation Plan 2020 are governmental initiatives to diversify Saudi Arabias economy and implement nationwide social changes. Media and scholarly attention often describe the success or failure of these ambitious visions. This book shifts the focus to instead examine and evaluate the actual processes of domestic policymaking and governance that are being mapped out to achieve them. The book is unique in its breadth, with case studies from across different sectors including labour markets, defence, health, youth, energy and the environment. Each analyses the challenges that the countrys leading institutions face in making, shaping and implementing the tailored policies that are being designed to change the country's future. In doing so, they reveal the factors that either currently facilitate or constrain effective and viable domestic policymaking and governance in the Kingdom. The study offers new and ground-breaking research based on the first-hand experiences of academics, researchers, policy-makers and practitioners who have privileged access to Saudi Arabia. At a time when analysis and reportage on Saudi Arabia usually highlights the high politics of foreign policy, this book sheds light on the low politics to show the extent to which Saudi policy, society, economics and culture is changing

How many places can fruit and vegetables grow?Lift the flaps to see what is inside the greenhouse, behind the orchard gate and growing underground. From leafy green vegetables, to colourful tropical fruit and jewel-like berries, there is lots to discover on every page. With vibrant illustrations and simple, accessible text, this is the perfect introduction to fruit and vegetables for little ones.Royal Botanic Gardens, Kew is a world famous centre for botanical and mycological knowledge. With two inspiring gardens at Kew in London, and Wakehurst in Sussex, visitors are enchanted with the wonder of plant diversity. Over the past 250 years Royal Botanic Gardens, Kew has made innumerable contributions to increasing the understanding of plants and fungi, with many benefits for humankind.Bloomsbury's Lift and Look board books have large cut-out flaps, specially designed for small hands. They also feature bright and beautiful illustrations and fun, engaging text, which children will adore. Available in a range of young children's favourite topics, including Bugs, Garden, School, Dinosaurs and Space.

Ethics: The Key Thinkers introduces the individuals who have wrestled with core moral questions and shaped how we understand ethics today, from what constitutes a good life to arguments about what is right and wrong. Chapters are organised chronologically and cover figures from a wide range of traditions in ancient, modern and contemporary philosophy, explaining exactly how a particular individual has changed the development of ethical theory as a whole. Alongside chapters on Plato, Aristotle, Marx and Nietzsche, this fully updated 2nd edition now provides: · A global approach to the history of ethics, featuring new chapters on Confucian, Buddhist and African thinkers · Further reading guides to the latest writing on each thinker · A conclusion that looks ahead to new directions in contemporary ethical theory For anyone looking to better understand the ideas, people and debates behind one of philosophy's most important subjects, Ethics: The Key Thinkers is the ideal starting point.

Global Health Watch (GHW), now in its sixth edition, provides the definitive voice for an alternative discourse on health. It integrates rigorous analysis, alternative proposals and stories of struggles and change to present a compelling case for the imperative to work for a radical transformation of the way we approach actions and policies on health. It was conceived in 2003 as a collaborative effort by activists and academics from across the world, and is designed to question present policies on health and to propose alternatives Global Health Watch 6 (GHW6) has been coordinated by eight civil society organizations – the People's Health Movement, ALAMES, Health Poverty Action, Medico International, Third World Network, Medact, Sama and Viva Salud. With contributions from across the globe, GHW6 addresses key issues related to health systems and the range of social, economic, political and environmental determinants of health, locating decisions and choices that impact on health in the structure of global power relations and economic governance.

This book is dedicated to Zoltâan Dèornyei for his 60th birthday.

For decades scholars have pored over Hitler's autobiographical journey/political treatise, debating if Mein Kampf has genocidal overtones and arguably led to the Holocaust. For the first time, Hitler's Mein Kampf and the Holocaust sees celebrated international scholars analyse the book from various angles to demonstrate how it laid the groundwork for the Shoah through Hitler's venomous attack on the Jews in his text. Split into three main sections which focus on 'contexts', 'eugenics' and 'religion', the book reflects carefully on the point at which the Fuhrer's actions and policies turn genocidal during the Third Reich and whether Mein Kampf presaged Nazi Germany's descent into genocide. There are contributions from leading academics from across the United States and Germany, including Magnus Brechtken, Susannah Heschel and Nathan Stoltzfus, along with totally new insights into the source material in light of the 2016 German critical edition of Mein Kampf. Hitler's views on Marxism, violence, and leadership, as well as his anti-Semitic rhetoric are examined in detail as you are taken down the disturbing path from a hateful book to the Holocaust.

The A to Z of Creative Writing Methods is an alphabetical collection of essays to prompt consideration of method within creative writing research and practice.Almost sixty contributors from a range of writing traditions and across multiple forms and genre are represented in this from poets, essayists, novelists and performance writers, to graphic novelists, illustrators, and those engaged in multi-media writing or writing-related arts activism. Contributors bring to this collection their distinct and diverse literary and cultural contexts, defining, expanding and enacting the methods they describe, and providing new possibilities for creative writing practice.Accessible and provocative, A to Z of Creative Writing Methods lays bare new developments and directions in the field, making it an invaluable resource for the teachers, research students and scholar-practitioners in the field of creative writing studies.

Philosophers of education are largely unaware of Dewey's concept of transactionalism, yet it is implicit in much of his philosophy, educational or otherwise from the late 1890s onwards. Written by scholars from Belgium, Italy, Norway, Sweden, and the USA, this book shows how transactionalism can offer an entirely new way of understanding teaching and learning, the individual and sociocultural dimension of education, and educational research. The contributors show how the concept helps us to see beyond an array of false dualisms, such as mind versus body, self versus society, and organism versus environment, as well as an equally vast array of binaries, such as inside-outside, presence-absence, and male-female. They introduce the key critical ideas that transactionalism represents including emergence; living in a world without a within; the temporally and extensionally distributed nature of meaning, mind, and self. The use and elaboration of transactionalism is grounded in philosophical inquires and in empirical analyses of practices in formal and informal settings including values education, early childhood education, biology education, museum education, coding and computer science, Oceanographic and Atmospheric study, policy reform, play, and the Covid-19 pandemic.

If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This innovative book breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture and daily life are explored in their participatory dimension.

In a systematic treatment of Hegel's concept of philosophy and all of the different aspects related to it, this collection explores how Hegel and his understanding of his discipline can be put into dialogue with current metaphilosophical inquiries and shed light on the philosophical examination of the nature of philosophy itself. Taking into account specific aspects of Hegel's elaboration on philosophy such the scientificity of philosophy as a self-grounding rational process and his explanation of the relationship between philosophy and the history of philosophy, an international line-up of contributors consider: - Hegel's concept of philosophy in general from skepticism, idealism, history and difference, to time, politics and religion - The relation of Hegel's concept of philosophy to other philosophical traditions and philosophers including Kant, Fichte, Schelling, and Jacobi - Hegel's concept of philosophy with reference to philosophy's relation to other forms of rationality and disciplines - The relation of Hegel's concept of philosophy to specific issues in present metaphilosophical debates. Reflecting the renewed and widespread interest in Hegel seen in Analytic philosophy and Continental thought, this volume advances study of Hegel's conceptual tools and provides new readings of traditional philosophical problems.

Drawing together diverse research perspectives and theoretical underpinnings, this handbook explores gender as a social category and examines cultural and social differences. Bringing together diverse perspectives from around the world, including from Africa, Europe, the Middle East, the UK and the USA, the volume sets out the gender and educational leadership and management field, providing a snapshot of the field as it stands, signalling its development and directions for future development. It offers focused reviews of empirical research on particular aspects of the field and presents new insights from research findings and methodological approaches.

The BBC Proms Guide is the official companion to the world’s greatest classical music festival.

This book follows the life of Ivan Aguéli, the artist, anarchist, and esotericist, notable as one of the earliest Western intellectuals to convert to Islam and to explore Sufism. This book explores different aspects of his life and activities, revealing each facet of Aguéli's complex personality in its own right. It then shows how esotericism, art, and anarchism finally found their fulfillment in Sufi Islam. The authors analyze how Aguéli's life and conversion show that Islam occupied a more central place in modern European intellectual history than is generally realized. His life reflects several major modern intellectual, political, and cultural trends. This book is an important contribution to understanding how he came to Islam, the values and influences that informed his life, and-ultimately-the role he played in the modern Western reception of Islam.

For research in linguistic anthropology, the successful execution of research projects is a challenging but essential task. Balancing research design with data collection methods, this textbook guides readers through the key issues and principles of the core research methods in linguistic anthropology.Designed for students conducting research projects for the first time, or for researchers in need of a primer on key methodologies, this book provides clear introductions to key concepts, accessible discussions of theory and practice through illustrative examples, and critical engagement with current debates. Topics covered include creating and refining research questions, planning research projects, ethical considerations for research, quantitative and qualitative data collection methods, data processing, data analysis, and how to write a successful grant application. Each chapter is illustrated by cases studies which showcase methods in practice, and are supported by activities and exercises, discussion questions, and further reading lists. Research Methods in Linguistic Anthropology is an essential resource for both experienced and novice linguistic anthropologists and is a valuable textbook for research methods courses.

By the turn of the twentieth century, Paris emerged as the epicenter of the art world, not only as a hub for art production and trading but also as a focal point for Paris-based dealers who relied on an expanding international network. Many galleries in the city capitalized on foreign collectors' interests, fostering global connections. Artists from around the world, including Cassatt and Picasso, were drawn to the French capital, while the contemporary art market became increasingly international. Dealers strategically engaged with discerning collectors from northern and eastern Europe, the UK, and the USA. The necessity for international trade grew due to the disruptive effects of wars, revolutions, and economic crises that hindered collecting in Europe. This anthology assembles original scholarship that offers fresh insights into dealer records, addressing the emergence and mechanics of the contemporary-centric global art market. It fills a crucial gap in art market studies by exploring how contemporary art, now recognized as historical modernism, gained validation through promotion and sales. Featuring unpublished material, concrete examples, and extensive bibliographical references, it appeals to academics, curators, educators, dealers, collectors, artists, and art enthusiasts. The work celebrates modern art dealers as transnational impresarios and highlights their influence on the history of collecting and art itself.

Colonialism and the Jews in German History brings together new and path-breaking studies on the historical relationship between colonialism and the Jews in Germany. The book considers the mutual influences on the situation of the Jews in Germany, including attitudes towards Jews and anti-Semitism but also Jewish self-conceptions, and the ideology and politics of German colonialism. The contributors discuss the ways in which colonial ideology and practice have affected the position of the Jews in Germany, and the relationship between anti-Semitism and colonial racism. In doing so, the volume introduces German colonialism as a relevant context for German-Jewish history, and it expands the perspective on German colonial history significantly by considering Jews both as distinct objects and also as agents within the field of German colonialism. The volume includes studies on the pre-colonial era, the phase of active German colonialism since the 1880s, and the time after Germany lost its colonies in the First World War. All these studies testify to the fact that German-Jewish history takes on additional significance if seen as part of a global history of collective relationships.

How do the islands and archipelagos of the New World figure in Latin American cinema? This volume, comprising sixteen essays and a critical introduction, addresses this question by exploring intersections between insular spaces and filmmaking in Latin America. It brings together international scholars and filmmakers to analyze a diverse range of films about, set on, produced in, and that interrogate islands. The essays cover works from Chilean documentaries by Patricio Guzmán to films concerning the Malvinas/Falkland Islands, as well as contributions from Argentine directors Gustavo Fontán and Lucrecia Martel. Specific chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Caribbean of Panama, while also addressing ecocritical, environmental, and historical aspects of Brazilian and Argentine river islands. Contexts from Haiti, Puerto Rico, and Guadeloupe are examined, alongside the complex positioning of the San Andrés, Providencia, and Santa Catalina archipelago within Colombian media archives. The collection argues that these islands and archipelagos offer a compelling lens to explore themes of marginality, remoteness, and dependency in Latin American cinema, demonstrating how this insular perspective can reframe ongoing discussions about the region's cinematic spaces.