Bret Easton Ellis Ordine dei libri (cronologico)

Bret Easton Ellis's new novel explores the end of innocence and the challenging transition from adolescence to adulthood in a vividly fictionalized Los Angeles in 1981, where a serial killer targets teenagers. Seventeen-year-old Bret, a senior at Buckley prep school, becomes captivated by the enigmatic new student, Robert Mallory, who harbors a secret while integrating into Bret's close-knit group. As Bret's obsession with Mallory deepens, he becomes increasingly fixated on the Trawler, a serial killer whose threats and acts of violence seem to encroach upon their lives. The eerie coincidences blur the line between reality and Bret's imagination, as he grapples with the dangers surrounding him. Distrustful of his friends and his own perceptions, Bret descends into paranoia and isolation, with the looming connection between the Trawler and Mallory driving the narrative toward a tense climax. Set against the nostalgic backdrop of pre-Less Than Zero L.A., this novel masterfully intertwines fact and fiction, delving into the emotional complexities of Bret's life at seventeen, encompassing themes of sex, jealousy, obsession, and rage. Gripping and darkly humorous, it showcases Ellis's distinctive storytelling prowess.

Bret Easton Ellis is most famous for his era-defining novel American Psycho and its terrifying anti-hero, Patrick Bateman. With that book, and many times since, Ellis proved himself to be one of the world's most fearless and clear-sighted observers of society - the glittering surface and the darkness beneath. In White, his first work of non-fiction, Ellis offers a wide-ranging exploration of what the hell is going on right now. He tells personal stories from his own life. He writes with razor-sharp precision about the music, movies, books and TV he loves and hates. He examines the ways our culture, politics and relationships have changed over the last four decades. He talks about social media, Hollywood celebrities and Donald Trump. Ellis considers conflicting positions without flinching and adheres to no status quo. His forthright views are powered by a fervent belief in artistic freedom and freedom of speech. Candid, funny, entertaining and blisteringly honest, he offers opinions that are impossible to ignore and certain to provoke. What he values above all is the truth. 'The culture at large seemed to encourage discourse,' he writes, 'but what it really wanted to do was shut down the individual.' Bret Easton Ellis will not be shut down.

Clay è tornato in città - ancora a Los Angeles, ancora durante le vacanze di Natale - ma dai tempi di Meno di zero sono passati venticinque anni. Oggi Clay è uno sceneggiatore che deve mettere insieme il cast per il suo nuovo film: ma quando incontrerà i vecchi amici (Blair, Trent, Julian...), sempre più annoiati, amorali e decadenti, si inoltrerà in un inferno in cui è impossibile distinguere la vittima dal carnefice. Un noir chandleriano per un Ellis mai così ironico, disincantato e disperato.

This book offers a narrative that intertwines genders, generations, and identities, featuring characters in LA who share a profound connection through their collective experience of soul-crushing suffering.

"Imagine becoming a best-selling novelist, and almost immediately famous and wealthy, while still in college, and before long seeing your insufferable father reduced to a bag of ashes in a safety-deposit box, while after American Psycho your celebrity drowns in a sea of vilification, booze, and drugs." "Then imagine having a second chance ten years later, as the Bret Easton Ellis of this remarkable novel is given, with a wife, children, and suburban sobriety - only to watch this new life shatter beyond recognition in a matter of days. At a fateful Halloween party he glimpses a disturbing (fictional) character driving a car identical to his late father's, his stepdaughter's doll violently "malfunctions," and their house undergoes bizarre transformations both within and without. Connecting these aberrations to graver events - a series of grotesque murders that no longer seem random and the epidemic disappearance of boys his son's age - Ellis struggles to defend his family against this escalating menace event as his wife, their therapists, and the police insist that his apprehensions are rooted instead in substance abuse and egomania." "Lunar Park confounds one expectation after another, passing through comedy and mounting horror, both psychological and supernatural, toward a resolution - about love and loss, fathers and sons."--BOOK JACKET.

Un po' soap opera, un po' studio sociologico, un po' scorpacciata di gossip e un po' corso accelerato di seduzione. La rubrica del "New York Observer" Sex and the City, che ha reso Candace Bushnell una star, è diventata un vero e proprio cult ispirando un serial tv di successo in tutto il mondo, un film e anche un libro. Un racconto a puntate sulla società degli anni Novanta che descrive con spudorata sincerità la vita sessuale, i vizi, i sentimenti maligni e sotterranei della high society americana avvalendosi delle "ricerche sul campo" della sua autrice. Per scrivere i suoi pezzi, infatti, la Bushnell ha condotto indagini sulle abitudini sessuali delle donne sposate, ha partecipato ai party più ambiti e si è inserita con l'abilità di una 007 in gonnella (firmata) negli ambienti più esclusivi. Il risultato è un resoconto degli aspetti più segreti dello scintillante jet set che uno scrittore del calibro di Bret Easton Ellis ha definito "irresistibile e al tempo stesso inquietante".

The author of American Psycho and Less Than Zero continues to shock and haunt us with his incisive and brilliant dissection of the modern world.In his most ambitious and gripping book yet, Bret Easton Ellis takes our celebrity obsessed culture and increases the volume exponentially. Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another onthe eve of opening the trendiest nightclub in New York City history.And now it's time to move to the next stage. But the future he gets is not the one he had in mind. With the same deft satire and savage wit he has brought to his other fiction, Bret Ellis gets beyond the facade and introduces us, unsparingly, to what we always feared was behind it. Glamorama shows us a shadowy looking-glass reality, the juncture where fame and fashion and terror and mayhem meet and then begin to resemble the familiar surface of our lives."

Tredici racconti che ci immergono nella Los Angeles degli anni Ottanta. Tredici istantanee di un mondo troppo patinato per essere vero, eppure troppo riconoscibile per essere falso.

Patrick Bateman è giovane, bello, ricco. Vive a Manhattan, lavora a Wall Street e con i colleghi Timothy, David, Patten e Craig, frequenta i locali più alla moda, le palestre più esclusive e le toilette dove gira la migliore cocaina della città, discutendo di nuovi ristoranti, cameriere corpoduro ed eleganza maschile. Ma la sua vita è ricca di particolari piuttosto inquietanti e quando le tenebre scendono su New York, Patrick Bateman si trasforma in un torturatore omicida, freddo, metodico, spietato.

From the New York Times bestselling author or Less Than Zero and American Psycho—a startlingly funny, kaleidoscopic novel about three students at a small, affluent liberal-arts college in New England with no plans for the future—or even the present—who become entangled in a romantic triangle. • “An extraordinary writer.” —LA Weekly Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. Lauren changes boyfriends every time she changes majors and still pines for Victor who split for Europe months ago and she might or might not be writing anonymous love letter to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus, and Paul, Lauren's ex, forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted, race from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World or The Graveyard. The Rules of Attraction is a poignant, hilarious take on the death of romance. The basis for the major motion picture starring James Van Der Beek, Shannyn Sossamon, Jessica Biel, and Kate Bosworth.

Clay comes home on break from his East Coast college to a landscape of limitless privilege and absolute moral entropy, where the natives drive Porsches, dine at Spago, and gobble their Quaaludes from Pez dispensers. Where else can Clay go but down? "A teenage slice-of-death novel, no holds barred".--VILLAGE VOICE. Copyright © Libri GmbH. All rights reserved.